âOh yes, thereâs you, girly. Muck out Liamâs and Amitâs horses, will you? Theyâre going racing today.â
âExcuse me, Angus,â I call after him.
He turns. âAye?â
âI thought I was riding out today.â
He walks slowly back to me. âThird lot. But your friend Mrs Wilkinson wonât be around to look after you. Theyâll be off racing by late morning.â
âGreat. Who am I riding?â
An odd little smile appears on his face. âOh, maybe you can ride Nelly. Let Pete tack her up for you.â
âManhattan?â
âNelly to her friends. If she had any.â
âThanks, Angus.â
âYouâre welcome.â He reaches for one of the whips which are hanging on a hook beside the saddles. âYouâll need this.â
Iâm confused. I have been told by Deej that only lads who are experienced enough to ride work on a horse on the gallops are allowed to carry a whip.
âSpecial rule,â Angus explains. âYou wonât be carrying a whip normally. But youâll need it on the mare.â
There is an odd atmosphere at the yard later that morning. The Wilkinsons have left for the races after first lot. There is more noise and laughter in the yard than usual.
Another odd thing. I am no longer invisible.
âWhatâs going on?â I ask Deej after he returns from second lot. âWhy are people smiling at me?â
âJust do your best on the mare,â he says.
âI heard that new lads get a test.â
Deej gives me an odd look. I sense he would like to tell me more but hasnât quite got the nerve.
âWe all need a laugh now and then,â he says. âDonât worry about it.â
At 10.45, I put on my crash-hat and, feeling a bit self-conscious, I make my way to Manhattanâs box, the whip in my hand.
To my surprise, Pete has her saddled and bridled already. She seems calmer than when I last saw her. In fact, she is more than calm â she looks half asleep.
âWhatâs she like as a ride?â I ask Pete as I look over the stable door.
He tightens the girth. âThatâs for you to find out, isnât it?â
I walk into the stable. For the first time, I see how big she is. She must be over seventeen hands.
When Pete gives me a leg-up, it is as if he is lifting me through the roof. I land in the saddle, heavily. To my surprise, Manhattan shows no reaction.
Pete leads me slowly out of the stable. The mare puts one foot in front of the other as if every step is an effort for her. Looking down, I feel small and slightly ridiculous. Several of the lads are standing around the back yard, as if waiting for this moment.
âOff you go then,â says Pete, taking his hand off the reins.
I give Manhattan a kick. She plants her feet firmly on the ground. Her ears twitch backwards.
Come on, girl. Letâs go.
There are jeers around the yard.
âWhatâs up, Barton?â Pete calls out. âGot a problem? We heard you could ride.â
âGive her one, girl,â somebody shouts. âBloominâ freak, Nelly. Sheâs trying it on.â
I see Laura crossing the yard, carrying a saddle propped against her hip. She stares ahead of her as if nothing is happening. I slap Manhattan gently on the shoulder with the whip. Now her ears are flat back against her head.
Weâre not freaks, are we, girl?
The words come from somewhere deep within me. I know how Manhattan is feeling, surrounded by laughing, scornful humans.
I take my feet out of the stirrups, slide the long way down to the ground. I put down the whip beside the stable door and lead her towards the covered ride.
When we enter, the six other horses going out on third lot are walking around the outside. Bucknall is standing where Mr Wilkinson normally stands. I lead Manhattan towards him.
âHaving problems already, Jasmine?â he says, a little smile on his face.
I
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain