the passenger window. All of which would take a small but finite amount of time. During which Reacher would be walking farther and farther away. And all the guy had was a worn-out .38 with a two-and-a-half-inch barrel. Not an accurate weapon. More or less a guaranteed miss, with the speed Reacher could walk.
So the better bet would be hang out the driverâs window. Much quicker. It was right there. But how? The guy would have to kneel up sideways on the driverâs seat, and stick his whole upper body out, and wriggle his right arm free, like putting on a tight sweater, bringing him all the way out of the car up to his waist, and then he would have to twist, and aim, and fire. Except at that point he would also be overbalancing and about to fall out the window. An inaccurate weapon, and a preoccupied shooter clinging to the door mirror. Not a whole lot to worry about.
Which meant the guyâs best bet would be step out and brace behind the open door. Like a cop. Except as soon as Reacher heard the creak of the hinge he would duck out of sight into the nearest store or alley. Same thing if he heard the car move off the curb and roll toward him. Stalemate. The whole get-in-the-car thing looked pretty good in the movies, but on the street it was basically optional. Plenty of choices. Keep calm and walk away. Live to fight another day.
But Reacher stayed where he was.
He said, âYou want me to get in the car?â
The guy said, âRight now.â
âThen put the gun away.â
âOr?â
âOr I wonât get in the car.â
âI could shoot you first and get you in bleeding.â
âNo,â Reacher said. âYou really couldnât.â
All he had to do was take one fast pace left. Then the guy would be shooting through glass again, or the B-pillar, or the C-pillar, plus anyway his shoulder was tight against the upholstery and wouldnât rotate. Plus again, the cops would come. Lights and sirens. Questions. The guy was stuck.
He was an amateur.
Which was encouraging.
âPut the gun away,â Reacher said again.
âHow do I know youâll get in?â
âIâm happy to visit with Mr. Scorpio. He has information for me. I was planning to call on him later today, but since youâre here, I guess this is as good a time as any.â
âHow do you know Iâm working for Scorpio?â
âMagic,â Reacher said.
The guy held still for a second, and then he put the gun back in his coat pocket. Reacher opened the passenger door. The sedan was an ancient Lincoln Town Car. The old square style. The kind that got crashed and burned on the TV shows, because they were cheaper than dirt. The upholstery was red velvet, no better or worse than the restaurant lobbyâs walls. A little crushed and greasy. Reacher crammed himself in the seat. He put his elbow on the armrest. His left hand hung loose, the size of a dinner plate. The guy stared at it for a second. Long thick fingers, with knuckles like walnuts. Old nicks and scars healed white. The guy looked away. No longer top dog. Uncharted territory, for a man who made his living leaning on walls and scaring people.
âDrive,â Reacher said. âI havenât got all day.â
They took off, left and right through the downtown blocks, back to the low-rent district. They parked outside the laundromat. The guy took out his gun again. Saving face, in front of Scorpio. Reacher let him. Why not? It cost him nothing. He waited until the guy came around and opened his door, and then he got out, and the guy nodded toward the laundromat entrance. Reacher went in first, to the smell of drains and cold soap, and the back-door sentry leaning on a washing machine, and Arthur Scorpio himself sitting in a plastic lawn chair, as if he was a customer hypnotized by the churning drums.
Up close he had pitted skin on his face, unnaturally white, as if it had been treated with chemicals. The pallor
John McEnroe;James Kaplan
William K. Klingaman, Nicholas P. Klingaman