You'll see lights on, first floor rear. My brother's name is Tommy. The last name's Hevener."
"I'm Kinsey Millhone. Thanks so much. I'll see you in fifteen minutes.
The building had clearly once been a single-family residence: a one-story white-frame cottage with gables in the roofline and a lot of gingerbread trim. At 7:42 I eased my VW down the driveway, my headlights cutting through the shadows. I slowed and peered out the driver's-side window. The white paint looked fresh and there were flower beds along the side. How had I missed this? The location was ideal-one block away from the office I was now in-and the price couldn't have been better. I counted ten parking spaces laid out along the narrow backyard, which was paved with asphalt and fenced on two sides. A black pickup truck was parked in one spot, but the rest were empty at this hour. There was a big trash bin just at the exit to the alleyway in back. Looking up, I could see Lonnie's office windows and the back wall that framed the tiny lot behind his building. I parked and got out, trying to curb the sudden surge of hope. For all I knew, the property was on the market, or the lot was the site of a former gas station, the soil still contaminated by benzene and other carcinogens.
A wide redwood deck had been constructed across the back of the building, complete with a long wooden ramp installed for easy wheel-chair access. A market umbrella with a big pale canvas shade stood open above a glass-topped table surrounded by four chairs. Several large terra-cotta pots had been planted with herbs. I was about to hyperventilate. First-floor lights were ablaze. I entered a small foyer. A door stood open to my immediate right. The scent of fresh paint was strong, overlaid by the staunch, secondary odor of brand-new carpet-ing. I closed my eyes while I offered up a quick prayer, repudiating my wickedness and promising to mend my evil ways. I opened my eyes and stepped through the doorway, absorbing the room at a glance.
The room was twelve by twelve, with new hand-crank windows on two walls. There were two tiers of white-painted shutters in place of conventional drapes. On the far wall, two doors stood open, one leading to a small bathroom, the other into what was clearly a spacious walk-in closet. A red-headed fellow in jeans, an olive green T-shirt, and heavy work boots was sitting on the floor kicking a carpet stretcher, forcing the carpet taut along the baseboard. A phone line had been installed and the phone was currently resting on the surface of an empty cardboard box.
The carpet itself was an industrial-grade nylon, a pattern of beige flecks against a charcoal gray background. I could see his carpet knife with its fat, curved blade, and the mallet he used to pound the carpet backing onto tack strips. Carpet scraps were piled up in the center of the room. An insulated plastic cooler was positioned near the wall beside a wastebasket that was filled to the brim with more carpet trimmings. The room seemed stuffy from the glaring two-hundred-watt bulb overhead.
I said, "Hi, I'm Kinsey. Your brother said he'd meet me here at seven forty-five. Are you Tommy?"
"That's me. Richard's always late. Written guarantee. I'm the good boy, the one who shows up when I'm expected. Hang on a minute. I'm almost done here." He glanced over, flashing me a smile, all green eyes and white teeth. Deep creases formed a bracket around his mouth. With his red hair and his ruddy complexion, the effect was electric, like a black-and-white film with a wholly unexpected sequence in Technicolor. I felt myself averting my gaze with a little frisson that danced its way along my spine. I hoped I hadn't inadvertently whimpered aloud.
I watched him kick, pound, and cut, the muscles in his back and shoulders bunching as he worked. His arms were knotted with veins and matted with a fine red hair. A trickle of sweat angled down along his cheek. He shrugged, blotting the side of his face with the sleeve
J. S. Cooper, Helen Cooper