duplicitous cunning will avail you. Abandon hope, Miss Temple, for it will be expunged … and replaced by
certainty
.”
Miss Temple looked at his stern expression and then to the forbidding beauty of the Contessa Lacquer-Sforza, her perfect smile both warmly tempting and cold as stone. The four men gazed ather blankly, the Prince scratching his nose with a fingernail. Had they all been transformed by the Process, their bestial logic released from moral restraints? She saw the scars on the Prince and on the stout man. It seemed that the older fellow shared their glassy-eyed hunger—perhaps his marks had already faded—only the other soldier bore a normal expression, where certainty and doubt were both at play. On the face of the others was only an inhuman, uncomplicated confidence. She wondered which of them would be the one to kill her. She looked finally to Mrs. Marchmoor, whose blank expression masked what Miss Temple thought was a genuine curiosity … as if she did not know what Miss Temple would do, nor what, once she did submit, might possibly come of it.
“It seems I have no choice,” Miss Temple whispered.
“You do not,” agreed the Contessa, and she turned to the large man seated next to her and raised her eyebrows, as if to signal her part in the matter was finished.
“You will oblige me, Miss Temple,” said the Comte d’Orkancz, “by removing your shoes and stockings.”
She had walked in her bare feet—a simple stratagem to prevent her from running away with any speed through the ragged filthy streets—down the stairs and out of the St. Royale Hotel. Mrs. Marchmoor remained behind, but all of the others descended with her—the soldier, the stout scarred fellow, and the older man going ahead to arrange coaches, the Comte and Contessa to her either side, the Prince behind with Miss Vandaariff on his arm. As she walked down the great staircase, Miss Temple saw a new clerk at the desk, who merely bowed with respect at a gracious nod from the Contessa. Miss Temple wondered that such a woman had need of the Process at all, or of magical blue glass—she doubted that anyone possessed the strength or inclination to deny the Contessa whatever she might ask. Miss Temple glanced to the Comte, who gazed ahead without expression, one hand on his pearl-toppedstick, the other cradling the wrapped blue book, like an exiled king with plans to regain his throne. She felt the prickling of the carpet fibers between her toes as she walked. As a girl her feet had once been tough and calloused, used to running bare throughout her father’s plantation. Now they had become as soft and tender as any milk-bathed lady’s, and as much a hindrance to escape as a pair of iron shackles. With a pang of desolating grief she thought of her little green boots, abandoned, kicked beneath the divan. No one else would ever again care for them, she knew, and could not but wonder if anyone would ever again care for her either.
Two coaches waited outside the hotel—one an elegant red brougham and the other a larger black coach with what she assumed was the Macklenburg crest painted on the door. The Prince, Miss Vandaariff, the soldier, and the scarred stout man climbed inside this coach, with the older man swinging up to sit with the driver. A porter from the hotel held open the door of the brougham for the Contessa, and then for Miss Temple, who felt the textured iron step press sharply into her foot as she went in. She settled into a seat opposite the Contessa. A moment later they were joined by the Comte, the entire coach shuddering as it took on his weight. He sat next to the Contessa and the porter shut the door. The Comte rapped his stick on the roof and they set forth. From the time of the Comte’s demand for her shoes to the coach moving, they had not spoken a word. Miss Temple cleared her throat and looked at them. Extended silence nearly always strained her self-control.
“I should like to know something,” she
Aziz Ansari, Eric Klinenberg