The Black Echo

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Authors: Michael Connelly
the wall.
    “See here, these fragments?” he said as he traced small, sharp white spots on the negative. There were three of them near the fractured joint. “If this was an old break, these would, over time, have moved into the joint. There is no scarring discernible on the X ray but I am going to take a look.”
    He went to the body and used a scalpel to make a T-incision in the skin on the top of the finger joint. He then folded the skin back and dug around with the scalpel in the pink meat, saying, “No… no… nothing. This was post, Harry. You think it could have been one of my people?”
    “I don’t know,” Bosch said. “Doesn’t look like it. Sakai said he and his sidekick were careful. I know I didn’t do it. How come there’s no damage to the skin?”
    “That is an interesting point. I don’t know. Somehow the finger was broken without the exterior being damaged. I can’t answer that one. But it shouldn’t have been too hard to do. Just grab the finger and yank down. Provided you have the stomach for it. Like so.”
    Salazar went around the table. He lifted Meadows’s right hand and yanked the finger backward. He couldn’t get the leverage needed and couldn’t break the joint.
    “Harder than I thought,” he said. “Perhaps the digit was struck with a blunt object of some kind. One that did not blemish the skin.”
    When Sakai came in with the slides fifteen minutes later, the autopsy was completed and Salazar was sewing Meadows’s chest closed with thick, waxed twine. He then used an overhead hose to spray debris off the body and wet down the hair. Sakai bound the legs together and the arms to the body with rope, to prevent them from moving during the different stages of rigor. Bosch noticed that the rope cut across the tattoo on Meadows’s arm, across the rat’s neck.
    Using his thumb and forefinger, Salazar closed Meadows’s eyes.
    “Take him to the box,” he said to Sakai. Then to Bosch, “Let’s take a look at these slides. This seemed odd to me because the hole was bigger than your normal scag spike and its location, in the chest, was unusual.
    “The puncture is clearly antemortem, possibly perimortem-there was only slight hemorrhaging. But the wound is not scabbed over. So we’re talking shortly before, or even during death. Maybe the cause of death, Harry.”
    Salazar took the slides to a microscope that was on the counter at the back of the room. He chose one of the slides and put it on the viewing plate. He bent over to look and after half a minute finally said, “Interesting.”
    He then looked briefly at the other slides. When he was done, he put the first slide back on the viewing plate.
    “Okay, basically, I removed a one-inch-square section of the chest where this puncture was located. I went into the chest about one and a half inches deep with the cut. The slide is a vertical dissection of the sample, showing the track of the perforation. Do you follow me?”
    Bosch nodded.
    “Good. It’s kind of like slicing an apple open to expose the track of a worm. The slide traces the path of the perforation and any immediate impact or damage. Take a look.”
    Bosch bent to the eyepiece of the microscope. The slide showed a straight perforation about one inch deep, through the skin and into the muscle, tapering in width like a spike. The muscle’s pink color changed to a dark brownish color around the deepest point of the penetration.
    “What does it mean?” he asked.
    “It means,” said Salazar, “that the puncture was through the skin, through the fascia-that’s the fibrous fat layer-and then directly into the pectoral muscle. You notice the deepening color of the muscle around the penetration?”
    “Yes, I notice.”
    “Harry, that’s because the muscle is burned there.”
    Bosch looked away from the microscope to Salazar. He thought he could make out the line of a thin smile beneath the pathologist’s breathing mask.
    “Burned?”
    “A stun gun,” the

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