parties, and took no women, even though many of the Mykonos girls would gladly have volunteered their services. His days had a clockwork regularity about them. He rode his Italian racing bike, he painted his paintings, he cared for his windswept villa. Most days, at dusk, he could be seen sitting on the rocks at Linos, staring at the sea. It was there, according to myth, that Poseidon had destroyed Ajax the Lesser for the rape of Cassandra.
Delaroche had spent the day on Syros painting. That evening, as the sun set into the sea, he returned to Mykonos by ferry. He stood on the foredeck, smoking a cigarette, as the boat entered Korfos Bay and docked at Chora. He waited until everyone had left the boat before disembarking.
He had purchased a used Volvo station wagon for days when it was too cold and rainy to cycle. The Volvo was waiting in a deserted lot at the ferry terminal. Delaroche opened the rear door and placed his things in the back compartment: a large flat case
74 Daniel Silva
containing his canvases and his palette, a smaller case with his paints and his brushes. He climbed inside and started the engine.
The drive northward to Cape Mavros took only a few minutes; Mykonos is a small island, about ten miles by six miles, and there was little traffic on the road because of the season. The moonscape terrain passed through the yellow cone of the headlamps—treeless, barren, the rough features smoothed over by thousands of years of human habitation.
Delaroche pulled into the gravel drive outside the villa and climbed out. He had to lean hard on the door to close it in the wind. Whitecaps glowed on Panormos Bay and the Ionian Sea beyond. Delaroche followed the short walkway to the front door and shoved his key in the lock. Before opening the door, he withdrew a Beretta automatic pistol from the shoulder holster beneath his leather jacket. The alarm chirped softly as he stepped inside. He disarmed the system, switched on the lights, and moved through the entire villa, room by room, until he felt certain no one was there.
He was hungry after painting all day, so he went into the kitchen and made supper: an omelette of onions, mushrooms, and cheese, a plate of Parma ham, roasted Greek peppers, and bread fried in olive oil and garlic.
He carried his food to the rustic wooden dining table. He switched on his laptop computer, logged onto the Internet, and read newspapers while he ate. It was quiet except for the wind rattling the windows overlooking the sea.
When he was finished reading he checked his E-mail. There was one message, but when he called it up on his screen it appeared as a meaningless series of characters. He typed in his password, and the gibberish turned to clear text. Delaroche finished eating his supper while he studied the dossier of the next man he would kill.
The Marching Season 75
Jean-Paul Delaroche had lived in France most of his life, but he was not French at all. Code-named October, Delaroche had been an assassin for the KGB. He had lived and operated exclusively in Western Europe and the Middle East, and his mission had been simple: to create chaos within NATO by inflaming tension within the borders of its member nations. When the Soviet Union collapsed, men like Delaroche weren't absorbed by the KGB's more presentable successor, the Foreign Intelligence Service; he went into private practice and quickly became the world's most sought-after contract killer. Now, he worked for just one person, a man he knew only as the Director. For his services he was paid one million dollars a year.
Sea fog hung over the cliffs the following day as Delaroche rode a small Italian motor scooter along the narrow lane above Panor-mos Bay. He took lunch at the taverna in Ano Mera: fish, rice, bread, and salad, with olive oil and wedges of hard-boiled egg. After lunch he walked through the village to the fruit market. He purchased several melons and placed them in a large paper sack, which he held between his
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