What I Loved

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Authors: Siri Hustvedt
girls went down on their hands and knees and meowed loudly for several hours until the whole neighborhood pulsed with the noise. Another incident involved canine behavior. Violet reported that in 1855 every single woman in the French town of Josselin succumbed to a fit of uncontrollable barking.
    Violet captivated Erica with her own stories, too, most of them kept secret from me and only hinted at, but I gathered that Violet had been in and out of many beds in her young life, and that not every bed had had a man in it. For Erica, who had slept with exactly three men in the course of her thirty-nine years, Violet's erotic adventures were more than intriguing anecdotes. They were tales of enviable daring and freedom. For Violet, Erica embodied feminine reason, an idea that most of history has relegated to an oxymoron. Erica had a patience of mind that Violet lacked, a dogged willingness to tease a thought to fruition, and there were days when Violet would come to our door with a question for Erica, usually about German philosophy — Hegel, Husserl, or Heidegger. Violet became Erica's student then. She would lie on our sofa, her eyes fixed on her teacher's face, and while she listened she squinted, frowned, and pulled at strands of her hair, as though these gestures could help her puzzle out the tortuous mysteries of being.
    I doubt that either Erica or I would have taken to Violet so quickly had she not been with Bill. It wasn't only that we knew him and were well-disposed to the woman he had fallen for so hard, it was that we liked Bill and Violet together. They were beautiful, those two, and my mind is still crammed with memories of their bodies from the early days of their love affair: Violet with her hand in Bill's hair or on his thigh or Bill leaning over her, his mouth grazing her ear. Every time I saw them, I had the impression that they had just made love or were about to make love, that their eyes never left each other. Infatuated people often look ridiculous to others; their nonstop cooing, touching, and kissing can be intolerable to friends who have left that stage behind them. But Bill and Violet didn't embarrass me. Despite their obvious passion for each other, they played at restraint, holding back when Erica or I were in the room, and I think the tension they created together was what I liked best. I always felt that there was an invisible wire between them, stretched nearly to its breaking point.
    Violet had grown up on a farm near Dundas, Minnesota, a town with a population of 623. I knew almost nothing about her corner of the Midwest, with its alfalfa fields, Holstein cows, and stolid characters with names like Harold Lundberg, Gladys Hrbek, and Lovey Munkemeyer, but I imagined it nevertheless, stealing images from movies and books of a flat landscape under a large sky. She had graduated from high school in the neighboring town of Northfield and attended St Olaf College in that same town before she fled east to graduate school at NYU. Her great-grandparents on both sides had emigrated from Norway and made their way across the country to start their farms and fight the earth and weather. Violet's rural childhood still clung to her. It appeared not only in her long midwestern vowels and in her references to milking machines and feedbags, but in the earnestness and weight of her spirit. Violet had charm, but it was not cultivated charm. When I spoke to her, I had the feeling that her thoughts had been nourished in wide-open spaces where talk was sparse and silence ruled.
    One afternoon in July I found myself alone with Violet. Erica had taken Matt and Mark back to Greene Street, along with the first chapter of Violet's dissertation, which she had promised to read. Bill had gone off to Pearl Paint for supplies. The light shone on Violet's brown hair as she sat cross-legged on the floor in front of a window and told me the story of Augustine, which turned into a story about herself.
    In Paris, Violet had rummaged

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