Free Boys Life by Robert R. McCammon Page A

the Merchants Street Bake Shoppe. Today, though, she was nothing but serious, and she wore a clear plastic rain hat.
    Bringing up the very rear of the procession, even behind the women and children, was a spindly man wearing a black tuxedo and a top hat. He carried a small drum, and his black-gloved hand beat it to mark the rhythm. It was this man and his wife whom many had come out on the chilly, rainy morning to see. The wife would arrive later; he walked alone, his face downcast.
    We called him the Moon Man, because we didn’t know his real name. He was very old, but exactly how old it was impossible to say. He was very rarely seen outside of Bruton, except on this occasion, as was his wife. Either a birth defect or a skin malady had affected one side of his long, narrow face, turning it pale yellow while the other side remained deep ebony, the two halves merging in a war of splotches down his forehead, the bridge of his elegant nose, and his white-bearded chin. The Moon Man, an enigma, had two watches on each wrist and a gilded crucifix the size of a ham hock hanging on a chain around his neck. He was, we presumed, the parade’s official timekeeper as well as one of its royal personages.
    The parade continued, step by steady step, through Zephyr to the gargoyle bridge over the Tecumseh River. It might take a while, but it was worth being late to school to see, and because of it school never really got into session until around ten o’clock on Good Fridays.
    Once the three men with the burlap bags reached the center of the bridge, they stopped and stood like black statues. The rest of the procession got as close as possible without blocking the bridge, though Sheriff Amory had set up sawhorses with blinking lights along the route.
    In a moment a Pontiac Bonneville covered hood to trunk with gleaming plastic rhinestones was driven slowly along Merchants Street from Bruton, following the parade’s path. When it arrived at the center of the gargoyle bridge, the driver got out and opened the rear door, and the Moon Man took his wife’s wrinkled hand and helped her to her feet.
    The Lady had arrived.
    She was as thin as a shadow, and just as dark. She had a cotton-cloud of white hair, her neck long and regal, her shoulders frail but unbowed. She wore not a costume of outlandish color and design, but a simple black dress with a silver belt, white shoes, and a white pillbox hat with a veil. She wore white gloves to her bony elbows. As the Moon Man helped her from the car, the driver opened an umbrella and held it over her royal, ancient head.
    The Lady, it was said, had been born in the year 1858. That made her one hundred and six years old. My mom said the Lady had been a slave in Louisiana, and had run away with her momma into the swamp before the Civil War. The Lady had grown up in a colony of lepers, escaped convicts, and slaves in the bayou below New Orleans, and that was where she’d learned everything she knew.
    The Lady was a queen, and Bruton was her kingdom. No one outside Bruton-and no one inside Bruton, as far as I understood-knew her by any name but “the Lady.” It suited her; she was elegance, through and through.
    Someone gave her a bell. She stood looking down at the sluggish brown river, and she began to slowly swing the bell back and forth.
    I knew what she was doing. My mom did, too. Everyone who watched did.
    The Lady was calling the river’s monster up from its mansion of mud.
    I had never seen the beast that was called Old Moses. One night when I was nine years of age, I did think I heard Old Moses calling after a heavy rain, when the air itself was as thick as water. It was a low rumble, like the deepest bass note from a church’s pipe organ, so deep your bones hear it before your ears do. It went up into a hoarse roar that made the town’s dogs go crazy, and then the noise was gone. It hadn’t lasted but maybe five or six seconds. The next day, that noise was the talk of the school. Train’s