Free Collected Prose by Paul Auster Page B

the movies: “Why go out and spend a fortune when it will be on television in a year or two?”
    *

    The occasional family meal in a restaurant: we always had to order the least expensive things on the menu. It became a kind of ritual. Yes, he would say, nodding his head, that’s a good choice.
    Years later, when my wife and I were living in New York, he would sometimes take us out to dinner. The script was always precisely the same: the moment after we had put the last forkful of food into our mouths, he would ask, “Are you ready to go?” Impossible even to consider dessert.
    His utter discomfort in his own skin. His inability to sit still, to make small talk, to “relax.”
    It made you nervous to be with him. You felt he was always on the verge of leaving.
    *

    He loved clever little tricks, prided himself on his ability to outsmart the world at its own game. A niggardliness in the most trivial aspects of life, as ridiculous as it was depressing. With his cars, he would always disconnect the odometers, falsifying the mileage in order to guarantee himself a better trade-in price. In his house, he would always do his own repair work instead of hiring a professional. Because he had a gift for machines and knew how things worked, he would take bizarre shortcuts, using whatever materials were at hand to rig up Rube Goldberg solutions to mechanical and electrical problems—rather than spending the money to do it right.
    Permanent solutions never interested him. He went on patching and patching, a little piece here, a little piece there, never allowing his boat to sink, but never giving it a chance to float either.
    *

    The way he dressed: as if twenty years behind the times. Cheap synthetic suits from the racks of discount stores; unboxed pairs of shoes from the bins of bargain basements. Beyond giving proof of his miserliness, this disregard of fashion reinforced the image of him as a man not quite in the world. The clothes he wore seemed to be an expression of solitude, a concrete way of affirming his absence. Even though he was well off, able to afford anything he wanted, he looked like a poor man, a hayseed who had just stepped off the farm.
    In the last years of his life, this changed a little bit. Becoming a bachelor again had probably given him a jolt: he realized that he would have to make himself presentable if he wanted to have any kind of social life. It was not that he went out and bought expensive clothes, but at least the tone of his wardrobe changed: the dull browns and grays were abandoned for brighter colors; the outmoded style gave way to a flashier, more dapper image. Checkered pants, white shoes, yellow turtlenecks, boots with big buckles. But in spite of these efforts, he never looked quite at home in these costumes. They were not an integral part of his personality. It made you think of a little boy who had been dressed up by his parents.
    *

    Given his curious relationship to money (his desire for wealth, his inability to spend), it was somehow appropriate that he made his living among the poor. Compared to them, he was a man of enormous riches. And yet, by spending his days among people who had next to nothing, he could keep before his eyes a vision of the thing he most feared in the world: to be without money. It put things in perspective for him. He did not consider himself stingy—but sensible, a man who knew the value of a dollar. He had to be vigilant. It was the only thing that stood between him and the nightmare of poverty.
    When the business was at its peak, he and his brothers owned nearly a hundred buildings. Their terrain was the grim industrial region of northern New Jersey—Jersey City, Newark—and nearly all their tenants were black. One says “slumlord,” but in this case it would not have been an accurate or fair description. Nor was he in any way an absentee landlord. He was there , and he put in hours that would have driven even the most conscientious employee to go out on