I Married a Communist

Free I Married a Communist by Philip Roth

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Authors: Philip Roth
still, for all my goddamn explaining, they beat the shit out of me so bad I thought I was going to die."
    His reputation as a nigger lover turned truly dangerous for Ira when he wrote a letter to
Stars and Stripes
complaining about the segregated units in the army and demanding integration. "That's when I used my dictionary and
Roget's Thesaurus.
I would devour those two books and try to put 'em to practical use by writing. Writing a letter for me was like building a scaffold. Probably I would have been criticized by somebody who knew the English language. My grammar was God knows what. But I wrote it anyway because this is what I felt I should do. I was so goddamn angry, see? Y'understand? I wanted to tell people that this was
wrong.
"
    After the letter was published, he was working one day up in the loading basket, above the hold of the ship, when the guys operating the basket threatened to drop him into the hold unless he shut up worrying about niggers. Repeatedly they dropped him ten, fifteen, twenty feet, promising next time to let go and break every bone in his body, but, scared as he was, he wouldn't say what they wanted to hear, and in the end they let him out. Then the following morning someone in the mess hall called him a Jew bastard. A nigger-loving Jew bastard. "A southern hillbilly with a big mouth," Ira told me. "Always made remarks in the mess hall about Jews, about Negroes. This one morning I'm sitting there near the end of the meal—there weren't that many guys left in the place—and he started to yap off about niggers and Jews. I'm still boiling from the incident the day before on the ship, and so I couldn't take it anymore, and I took off my glasses and I gave 'em to a guy I was sitting with, the only guy who'd still sit with me. By then I'd walk in the mess hall, two hundred guys sitting there, and because of my politics I'd be totally ostracized. Anyway, I went at that son of a bitch. He was a private and I was a sergeant. From one end of that mess hall to the other I kicked the shit out of him. Then the first sergeant comes up to me and says, 'You want to press charges against this guy? A private attacking a noncommissioned officer?' I quickly said to myself, I'll probably be damned if I do and damned if I don't. Right? But from that moment on, nobody ever made an anti-Semitic remark when I was in the vicinity. That didn't mean they'd ever let up about niggers. Niggers this and niggers that, a hundred times a day. This hillbilly tried again with me that same night. We were washing off our mess kits. You know the stinking little knives they have there? He came at me with that knife. Again I had him, I put him away, but I didn't do anything more about it."
    Hours later Ira got ambushed in the dark and wound up in the hospital. As best he could diagnose the pains that began to develop while he was working at the record factory, they were from the damage caused by that savage beating. Now he was always pulling a muscle or spraining a joint—his ankle, his wrist, his knee, his neck—and as often as not from doing virtually nothing, no more than stepping off the bus coming home or reaching across the counter for the sugar bowl in the diner where he went to eat.
    And this is why, however unlikely it seemed that anything would materialize from it, when something was said about a radio audition, Ira leaped at the chance.
    Maybe there were more machinations than I knew of behind Ira's move to New York and his overnight radio triumph, but I didn't think so back then. I didn't have to. Here was the guy to take my education beyond Norman Corwin, to tell me, for one thing, about the GIs that Corwin didn't talk about, GIs not so nice or, for that matter, so antifascist as the heroes of
On a Note of Triumph,
the GIs who went overseas thinking about niggers and kikes and who came home thinking about niggers and kikes. Here was an impassioned man, someone rough and scarred by experience, bringing with him

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