Free The Corrections by Jonathan Franzen

his desk, and so, to escape, he had to take hold of her ankle and swing her leg back onto the sofa. Her pink feet immediately grasped his wrist and pulled him toward her. It was all very playful, but his door was open, and his lights were on, and his blinds were raised, and somebody was in the hall. “Code,” he said, pulling free. “There’s a code.”
    Melissa rolled off the sofa, stood up, and came closer. “It’s a stupid code,” she said. “If you care about somebody.”
    Chip retreated to the doorway. Up the hall, by the department office, a tiny blue-uniformed woman with a Toltec face was vacuuming. “There are good reasons to have it,” he said.
    “So I can’t even give you a hug now.”
    “That’s right.”
    “It’s stupid.” Melissa stepped into her shoes and joined Chip in the doorway. She kissed him on the cheek, near his ear. “So there.”
    He watched her slide-step and pirouette down the hall and out of sight. He heard a fire door bang shut. He carefully examined every word he’d said, and he gave himself an A for correctness. But when he returned to Tilton Ledge, where the last of the utility lights had burned out, he was swamped by loneliness. To erase the tactile memory of Melissa’s kiss, and her lively warm feet, he phoned an old college friend in New York and made a date for lunch the next day. He took Cent Ans de Cinéma Erotique from the cabinet where, in expectation of a night like this, he’d stashed it after soaking it. The tape was still playable. The image was snowy, though, and during the first really hot bit, a hotel-room scene with a wanton chambermaid, the snow thickened to a blizzard and the screen went blue. The VCR made a dry, thin choking sound. Air, need air , it seemed to say. Tape had leaked out and wound itself around the machine’s endoskeleton. Chip extracted the cassette and several handfuls of Mylar, but then something broke and the machine spat up a plastic spool. Which, all right, these things happened. But the trip to Scotland had been a financial Waterloo, and he couldn’t afford a new VCR.
    Nor was New York City, on a cold rainy Saturday, the treat he needed. Every sidewalk in lower Manhattan was dotted with the metallic squared spirals of antitheft badges. The badges were bonded to the wet pavement with the world’s strongest glue, and after Chip had bought some imported cheeses (he did this every time he visited New York to be sure of accomplishing at least one thing before returning to Connecticut, and yet it felt a little sad to buy the same baby Gruyère and Fourme d’Ambert at the same store; it brought him up against the more general failure of consumerism as an approach to human happiness), and afterhe’d lunched with his college friend (who had recently quit teaching anthropology and hired himself out to Silicon Alley as a “marketing psychologist” and who advised Chip, now, to wake up and do the same), he returned to his car and discovered that each of his plastic-wrapped cheeses was protected by its own antitheft badge and that, indeed, a fragment of antitheft badge had stuck to the bottom of his left shoe.
    Tilton Ledge was glazed with ice and very dark. In the mail Chip found an envelope containing a short note from Enid lamenting Alfred’s moral failures (“he sits in that chair all day, every day ”) and a lengthy profile of Denise, clipped from Philadelphia magazine, with a slavering review of her restaurant, Mare Scuro, and a full-page glamour photo of the young chef. Denise in the photo was wearing jeans and a tank top and was all muscled shoulders and satiny pecs (“Very young and very good: Lambert in her kitchen,” the caption read), and this was just the kind of girl-as-object horseshit, Chip thought bitterly, that sold magazines. A few years ago Enid’s letters had reliably contained a paragraph of despair about Denise and Denise’s failing marriage, with phrases like he is too OLD for her! double-underlined, and a