Free The Glass Room (Vera Stanhope 5) by Ann Cleeves

bloody key. The last thing she wanted was the hippies wandering in and out of her house whenever they felt like it.
    In bed she looked at Ferdinand’s diary. It had been fingerprinted and tested, but the only contact traces came from the dead man. It contained no insights into his mind, just a list of appointments. In the week before his journey to Northumberland he’d recorded an episode of The Culture Show for television and appeared live on Front Row on Radio 4. Vera occasionally listened to that when she was having her supper and wondered if she’d heard him – he’d be one of those self-satisfied prats who criticized any poor bugger who had the nerve to put his thoughts on paper. As far as she knew, Ferdinand had never been published himself. Since arriving at the Writers’ House he’d marked in the schedule of his responsibilities: tutorial 1, tutorial 2. No names. And for today: 5 p.m. lecture. Nuts and bolts of the business. Also a single initial and a question mark: J? So he had expected to meet up with Joanna. The extra scraps of information were merely tantalizing.
    Vera left home early the next morning and still there was no sign of Jack or Joanna. Holly was in the incident room before her, printing off the information she’d found on the Writers’ House on the Internet. The equivalent, Vera thought, of an over-eager pupil sharpening the teacher’s pencil. Then: My God, that shows my age. When did they last have pencils in classrooms? The others wandered in afterwards, Charlie last as usual. Holly handed out the notes.
    Vera stood at the front and talked them through it. ‘Our victim is Tony Ferdinand, professor, reviewer and all-round media star. So there’ll be lots of press interest. He was in Northumberland to act as visiting tutor at the Writers’ House, the place up the coast where wannabe writers go to get inspiration. They run residential courses in all forms of literature, but this week they’re doing crime fiction. Is that significant? It seems a bit of a coincidence that they’ve spent three days planning a perfect murder, and then one of the lecturers dies in a very theatrical way. Is one of them playing games with us? I’ve had a quick look in Ferdinand’s diary. He made a note of the appointments he’d set up with other students, but no names are mentioned. He might have had a meeting with someone he calls J yesterday, but it all seems very vague. We need to be aware that Joanna Tobin could be lying or could have been set up.’
    She paused and checked that they were all with her. ‘Then there’s this business with the knife. Another game? Or does the killer not know enough about forensics to realize we’d tell the difference between blades? Did he think getting Joanna to the scene would be enough to convict her? Again, the whole business seems very theatrical to me. In any event, the murder weapon is still out there somewhere. I’ve organized a search of the grounds and that should start this morning.
    ‘Holly, will you get on the phone and check out Ferdinand? Talk to his university, St Ursula’s College, London, to broadcasters, publishers, anyone else he might have worked with. Usual stuff. Any enemies? Any recent scandals or problems? You’ll have the guest list of the Writers’ House, so see if one of those names crops up.’ Vera thought that Holly, with her clipped southern voice, would go down well with the London intelligentsia. You could almost see her as a pushy publicist, with her long legs and sharp suits. ‘And have a word with a woman called Chrissie Kerr. She runs a small publishing company based not very far from here. According to the woman in charge, she left the Writers’ House before Ferdinand was killed, but she might have picked up on tensions or problems, and she’ll have background on the whole organization.
    ‘Charlie, I want you digging around into the background of Joanna Tobin. She’s my neighbour, and I need to keep a bit of a distance, so