Free Soul Music by Terry Pratchett Page A

lined with hourglasses.
    The sand pouring from the past to the future filled the room with a sound like surf, a noise made up of a billion small sounds.
    Susan walked between the shelves. It was like being in a crowd.
    Her eye was caught by a movement on a nearby shelf. In most of the hourglasses the falling sand was a solid silver line but in this one, just as she watched, the line vanished. The last grain of sand tumbled into the bottom bulb.
    The hourglass vanished, with a small “pop.”
    A moment later another one appeared in its place, with the faintest of “pings.” In front of her eyes, sand began to fall…
    And she was aware that this process was going onall over the room. Old hourglasses vanished, new ones took their place.
    She knew about this, too.
    She reached out and picked up a glass, bit her lip thoughtfully, and started to turn the thing upside down…
    SQUEAK!
    She spun around. The Death of Rats was on the shelf behind her. It raised an admonitory finger.
    “All right,” said Susan. She put the glass back in its place.
    SQUEAK
    “No. I haven’t finished looking.”
    Susan set off for the door, with the rat skrittering across the floor after her.
    The third room turned out to be…
    …the bathroom.
    Susan hesitated. You expected hourglasses in this place. You expected the skull-and-bones motif. But you didn’t expect the very large white porcelain tub, on its own raised podium like a throne, with giant brass taps and—in faded blue letters just over the thing that held the plug chain—the words: C. H. Lavatory & Son, Mollymog St, Ankh-Morpork.
    You didn’t expect the rubber duck. It was yellow.
    You didn’t expect the soap. It was suitably bone white, but looked as if it had never been used. Beside it was a bar of orange soap which certainly had been used—it was hardly more than a sliver. It smelled a lot like the vicious stuff used at school.
    The bath, though big, was a human thing. There was brown-lined crazing around the plug hole and a stain where the tap had dripped. But almost everything else had been designed by the person who hadn’t understood deskishness, and now hadn’t understood ablutionology either.
    They had created a towel rail an entire athleticsteam could have used for training. The black towels on it were fused onto it and were quite hard. Whoever actually used the bathroom probably dried themselves on one white-and-blue, very worn towel with the initials Y.M.R-C-I-G-B-S A, A-M. on it.
    There was even a lavatory, another fine example of C. H. Lavatory’s porcelainic art, with an embossed frieze of green-and-blue flowers on the cistern. And again, like the bath and the soap, it suggested that this room had been built by someone…and then someone else had come along afterward to add small details. Someone with a better knowledge of plumbing, for a start. And someone else who understood, really understood, that towels should be soft and capable of drying people, and soap should be capable of bubbles.
    You didn’t expect any of it until you saw it. And then it was like seeing it again .
    The bald towel dropped off the rail and skipped across the floor, until it fell away to reveal the Death of Rats.
    SQUEAK?
    “Oh, all right,” said Susan. “Where do you want me to go now?”
    The rat scurried to the open door and disappeared into the hall.
    Susan followed it to yet another door. She turned yet another handle.
    Another room within a room lay beyond. There was a tiny area of lit tiling in the darkness, containing the distant vision of a table, a few chairs, a kitchen dresser—
    —and someone. A hunched figure was sitting at the table. As Susan cautiously approached she heard the rattle of cutlery on a plate.
    An old man was eating his supper, very noisily. In between forkfuls, he was talking to himself with his mouth full. It was a kind of auto bad manners.
    “’s not my fault! (spray) I was against it from the start but, oh no, he has to go and (recover piece of