from me, which is a lesson I was already pretty knowledgeable about, to be honest.
âDonât freak out,â Karissa says. I stare at the potted flowers Tess put out here. Theyâre dying, and I want to replace them. I liked the way she put different kinds on every step, like a mini botany lesson on the way into the apartment.
âNot possible.â
Itâs funny that weâre talking in tiny sentences. The situation is enormous, but we are being stingy with actual words.
I relax a little. I canât help it. My orecchiette is perfection in a cardboard box and the moon is bright and strange above the buildings and itâs nice to have someone to sit with at the end of the night in the middle of the big city.
âYou take after your dad, you know?â Karissa extends the word dad so that itâs a word with a melody. âLike, the things I like about you are the same things I like about him.â
It takes everything in me to not scream at her, but I canât stop thinking about the fact that she has no family, that theyâre gone andsheâs the brilliant sparkle thatâs left. Itâs hard to imagine lashing out at someone like that. I sit on my hands like that will somehow keep my volume and tone in check. Take a deep breath.
âI take after my mom,â I say. Thereâs a series of horns, a domino effect of sound moving down the street. Cacophony. I donât even know that the things Iâm saying are true. One phone call a year is not enough to get to know my mother.
âMe too,â Karissa says. âI mean, my mom. I take after her. Itâs nice, right? Helps? To have something to share with someone whoâs gone?â
Iâm being tug-of-warred between rage and compassion. I canât even form a response.
âWhat if this was really good for both of us?â she says. âMy mom always used to say that the best things come from the most unexpected places.â She takes a piece of pasta right from the box, no fork. And another without asking.
âI feel like Sean Varren is all new to you. But weâve been here before. This isnât new for me.â I give her a heavy look. I shift the box of pasta a little so that sheâd have to reach across me to get another piece of it. Itâs mine. I donât want to share.
âBut Iâm new,â Karissa says.
We listen to someone playing classical music a few floors above us. Itâs probably my father, who likes to fall asleep listening to the radio. I look at her face to see if she knows that about him.
I hate her and love her.
I want to yell at her about finding her own family, not stealingmine. That dating my dad is disgusting. That sheâs a liar and a fake and an awful person who I wish Iâd never met. Those things are all swimming inside me.
But mostly I want to tell her that Iâm worried about her.
âHeâs going to hurt you,â I say. âThis isnât whatever you think it is. Whatever heâs saying it is.â I donât like how it feels, talking about my father like heâs the douche football star that Iâm worried is cheating on my friend or something. But itâs a true thing I can say. And I want to say a true thing out here on the stoop tonight.
âWe both deserve something great,â she says, but this isnât something great, so I donât really have a reply. âI think we could all be really happy. Like, together.â
Karissa is not a Sean Varren wife. I donât know how to explain that to her without a comprehensive history of the last ten years of my life, so I donât say anything.
My skin itches. I poke as many tiny pasta ears onto my fork as possible and shove them into my mouth, like that will dull the urge to stand up for myself. Karissa takes something out of her purse. Itâs a hunk of parmesan cheese wrapped in the restaurantâs cloth napkin. She pulls out a silver