Free Nightwoods by Charles Frazier

sentence in a lost alphabet. Stubblefield put on a raincoat, glanced in the mirror, and wished somebody else looked back. Outside, he passed the rusty showerhead where end-of-summer beach tourists should have been washing off sand and salt. Except it had been rainy for so long that they all checked out and climbed into their station wagons and drove home.
    Over the dune to the empty beach, and then he slogged north in wet sand just above the runout of waves. The past winter, locals had referred to Stubblefield as that man who walks at night. This summer, he had been that man who swims at night. But he wouldn’t be doing either in this weather. A few hundred yards farther, and he turned inland at the beach shop. Air mattresses and Frisbees and hula hoops. In the window, a Coppertone display with the little tan girl’s white ass uncovered by the dog tugging at her bikini bottom. A page taped to the inside of the door said,
Be back when the weather clears
.
    Well, you could only hope. And Stubblefield really appreciated the casual attitude toward business. But at some point you quit counting on anything too far in the future.
    He walked toward town. Past a lighthouse and the entrance to a historic fort. Lots of contention here, back in the past. Some progression of displacement involving Indians, Spaniards, English, and, lately,us. For better or worse. On down the sidewalk past a salt marsh, the high school, a hamburger joint, a church.
    At the beginning of Centre Street, Stubblefield reached the milestone of the movie theater. An ordinary-looking small-town façade. But behind it, all was provisional, the building like a big Quonset hut, a corrugated metal barrel-vault. It leaked in the rain, and he believed he had seen bats, or at least big moths, flying through the projector beam and casting shadows on the screen. A half-sheet for a coming attraction:
The Defiant Ones
, with Tony Curtis and Sidney Poitier.
    On down the street, the drugstore. A modern low brick-and-glass building, out of place among the Victorian mansions and nineteenth-century storefronts. Up near the front window, paperbacks in two spinning wire racks, comic books and magazines fanned on shallow shelves to display a teasing strip of their bright covers. A quick flip through
Hot Rod
, and then
Stag
. Each world no more or less fictive than the other. At the counter, Stubblefield bought an envelope of Stanback powders and a Jacksonville
Times-Union
. Walked out with the powders in his raincoat pocket, the newspaper folded under his arm as if it were the
Times
of Los Angeles or London or New York.
    He strolled on in the rain to the monumental post office with the WPA mural on the lobby wall depicting conquistadores in crested helmets and Seminoles and palm trees. At the wall of little brass-doored cubbyholes, he twisted the knobs in the correct combination and pulled out his mail. Then down to the dock, the boats in for the day. Widely spaced raindrops pocked the stretch of intercoastal that separated the island from the mainland. Stubblefield bought a pound of shrimp, paying right across the gunwale of the boat. He held three sheets of classifieds out to the crewman, who scooped heaping double handfuls onto the paper and said, That look about like a pound to you?
    —At the very least, Stubblefield said.
    Some of the shrimp were still tail-kicking, antennae twitching, the little black eyes fading. Cockroaches of the sea, but nevertheless tasty. Later he would boil them with Old Bay and peel them and dip them in ketchup with enough lemon and horseradish to bring tears to the eyesand an expanding ache to the sinus. He folded the paper around the dying things, tucking the ends into a neat bundle, the paper already turning wet and grey when he stuffed the package down in his raincoat pocket and felt the shrimp move against his hip.
    He checked the front page banner to be sure of the day—Tuesday—and stopped in for one quiet vodka tonic in the brown light of