Free Dead Lions by Mick Herron

out of the loop. The loop’s miles away. Nearest you’ll get to being in the loop is when they make a documentary about it and show it on the History Channel. I thought you were aware of that. Oh god, here’s another one.”
    Marcus Longridge had appeared behind them, carrying a manila folder. “I’m supposed to give this to—”
    Lamb said, “I’ve forgotten your name.”
    “Longridge,” said Marcus.
    “I don’t want to know. I was making a point.” Lamb plucked a stained mug from the litter on his desk, and threw it at Catherine. River caught it before it reached her head. Lamb said, “Well, I’m glad we’ve had this chat. Now fuck off. Cartwright, give that to Standish. Standish, fill it with tea. And you, I’ve forgotten your name again, go next door and get my lunch. Tell Sam I want my usual Tuesday.”
    “It’s Monday.”
    “I know it’s Monday. If I wanted my usual Monday, I wouldn’t have to specify, would I?” He blinked. “Still here?”
    Catherine held his stare a little longer. It had become a matter between the two of them, River realised. He might as well not be here. And for a moment he thought Lamb might look away first, but it didn’t happen; Catherine gave a shrug instead, one in which something seemed to leave her body, then turned away. She took the folder Longridge was holding, and went into her office. The other pair trooped downstairs.
    So, that went well, he thought.
    But before River had been at his desk twenty minutes came a godawful noise from upstairs; the kind you’d get if you tipped a monitor off a high-enough desk that the screen shattered when it hit the deck. It was followed by the scattering rattle of plastic-and-glass shards spreading across the available space. River wasn’t the only one who jumped. And everyone in the building heard the oath that followed:
    “ Fucking hell! ”
    After that, Slough House went quiet for a while.
    The film was grainy, jerky, black-and-white, and showed a train at a platform late in the evening. It was raining: the platform was roofed, but water trickled down from misaligned guttering. Seconds passed while nothing happened. Then came a sudden onrush, as if a gate had been opened offscreen releasing a swarm of anxious passengers. Their jerky motion was due to the film skipping frames. Movements gave it away: the sudden appearance of hands from pockets; umbrellas folding without warning. Mostly, the expressions on offer betrayed irritation, anxiety, the desire to be elsewhere. River, who was good at faces, recognised no one.
    They were in Ho’s office, because Ho had the best equipment. After Lamb had tipped his computer over while trying to inserta CD—a piece of slapstick River would have given a month’s salary to have witnessed—he’d boiled in his room half an hour, then stalked downstairs as if this had been the plan all along. Catherine Standish followed a moment later. It might have been residual embarrassment which prevented Lamb from protesting when the other slow horses assembled in his wake, though River doubted it. Jackson Lamb couldn’t have defined embarrassment without breaking into a sweat. And once he’d given Ho the CD, and it was up and running, it was clear he expected them all to watch. Questions would follow.
    There was no sound; nothing to indicate where this was happening. When the platform cleared the train began to move, and there were no clues there, either: it simply jerked into motion and pulled out of view. What was left was an empty platform and a railway track, onto which heavy rain fell. After four or five seconds of this, which might have been fifteen or twenty in real time, the screen went black. The entire sequence had lasted no more than three minutes.
    “And again,” Lamb said.
    Ho tapped keys, and they watched it again.
    This time, when it stopped, Lamb said, “Well?”
    Min Harper said, “CCTV footage.”
    “Brilliant. Anyone got anything intelligent to add?”
    Marcus Longridge