he secluded himself until he succumbed to suicide at twenty-three. This was clearly a case of parasitic twinning and Sunil wondered if Fire and Water were parasitic twins. But which was the parasite?
In spite of himself, Sunil yawned. It was late, or early, and he nodded off, sprawled on the sectional with papers and photos strewn around him.
Fifteen
T he moon was high and fat. Pregnant moon, Water said under his breath, the way Selah used to, the boys in her lap, rocking in the porch swing on those late nights when they couldnât sleep. A full moon always rises at sunset, he said to himself. Selah used to say that. Water was fifteen when he realized her death would always be inside him. Selah is tree, he whispered.
The swath of light falling through the window, however, was not from the moon but from the violet streetlamp on the hospital grounds. He swung his legs to the floor and got up slowly. Fire was snoring slightly, the sound muffled by the caul. Drawn tight, it would grow warm and then hot against Waterâs side, as though he were carrying a hot water bottle.
It was light enough to make it across the room and as Water crossed to the window, Fire stirred, yawned, and then went back to sleep. Water searched the sky as if for some truth. Auguring; that had been Selahâs skill. Reading the future from the sky, by watching birds or clouds. Tracking to see if they were flying together or alone, the truth revealed in their formations. Water couldnât sleep and lay awake for a long time gazing up at the moon, humming a lullaby, one that Selah had sung to them.
Sixteen
S unil woke with a start. He peeled a sheet of paper from his cheek and crossed to the window. Below, the Strip was awake, like a sentient being made of neon, all pulse and wink, but it wasnât dawn yet, probably nearer five in the morning. Sunil closed his eyes, shook his head rapidly, and opened them again. Dizzy, he watched the lights make a new pattern, like a kaleidoscope. He closed his eyes again. This time when he opened them and looked, he was so dizzy he had to put his hand on the cold metal of the window frame to keep from falling over. This was a game heâd played as a child, only the lights had been the stars, and back then he could get dizzy without feeling nauseated.
Dorothy taught him that game, said it was how the old soothsayers read the future. Izikhombi, sheâd called it, bones used to divine the way, except she said they used the bones of the stars.
She was a good storyteller. Some people call that being a good liar. But that was just frivolous gossip, as Reverend Bhekithemba would say. Remove the log from your own eye first, he would add. The reverend had a soft spot for Sunil and Dorothy, which of course only made people gossip about the reverend and Dorothy. There has always been in African communities a deep suspicion of the Catholic priestâs professed celibacy. Father Bhekithemba was the priest of St. Francis, the Catholic church on the corner of Sunilâs street. But none of this, of course, changed the fact that Dorothy was a good storyteller.
She came to Soweto in 1960 to study nursing. She meant to return to her small town in the KwaZulu homeland, but no one ever leaves Soweto alive, as the saying goes.
She worked at Chris Hani Baragwanath Hospital on Old Potchefstroom Road. Baragwanath was more of a city than a hospital, serving about a million people every day. Much of what she saw thereâthe misery, the pain, the loss, the despair, but also the incredible strength of the people of Sowetoâshaped her. She was a good woman who did what she could. Brought home medicines for the local mothers to give to their children. Nothing serious, just the basicsâvitamins, cough medicine, painkillers, fever reducers, disinfectants, and iodine for scrapes and cuts. She cut quite the figure striding through the neighborhood at dusk, dressed in her nurseâs uniformâcrisp, starched