Wonderful. What now? See the ducks, why not? Could strangle a brace and leave ’em hanging in V.A.’s wardrobe. Mood was that black. So I mimed ducks and asked the gardener, “Where?” He pointed at the beech tree, and his gesture said, Walk that way, just on the other side. I set off, jumped a neglected ha-ha, but before I’d reached the crest, the noise of galloping bore down on me, and Miss Eva van Outryve de Crommelynck—from now plain old Crommelynck shall have to do or I’ll run out of ink—rode up on her black pony.
I greeted her. She cantered around me like Queen Boadicea, pointedly unresponsive. “How humid the air is today,” I small-talked sarcastically. “I rather think we shall have rain later, wouldn’t you agree?” She said nothing. “Your dressage is more polished than your manners,” I told her. Nothing. Shooting guns crackled across the fields, and Eva reassured her mount. Her mount is a beaut—one can’t blame the horse. I asked Eva for the pony’s name. She stroked back some black, corkscrew locks from her cheeks. “J’ai nommé le poney Néfertiti, d’après cette reine d’Egypte qui m’est si chère,” she replied and turned away. “It speaks!” I cried and watched the girl gallop off until she was a miniature in the Van Dyck pastoral. Fired artillery shells after her in elegant parabolas. Turned my guns on Château Zedelghem and pounded Ayrs’s wing to smoking rubble. Remembered what country we are in and stopped.
Past the sundered beech, the meadow falls away to an ornamental lake, ringing with frogs. Seen better days. A precarious footbridge connects an island to the shore, and flamingo lilies bloom in vast numbers. Now and then goldfish splish and gleam like new pennies dropped in water. Whiskered mandarin ducks honk for bread, exquisitely tailored beggars—rather like myself. Martins nest in a boathouse of tarred boards. Under a row of pear trees—once an orchard?—I laid me down and idled, an art perfected during my long convalescence. An idler and a sluggard are as different as a gourmand and a glutton. Watched the aerial bliss of coupled dragonflies. Even heard their wings, an ecstatic sound like paper flaps in bicycle spokes. Gazed on a slowworm exploring a miniature Amazonia around the roots where I lay. Silent? Not altogether, no. Was woken much later, by first spots of rain. Cumulonimbi were reaching critical mass. Sprinted back to Zedelghem as fast as I’ll ever run again, just to hear the rushing roar in my ear canals and feel the first fat droplets pound my face like xylophone hammers.
Just had time to change into my one clean shirt before the dinner gong. Mrs. Crommelynck apologized, her husband’s appetite was still feeble and demoiselle preferred to eat alone. Nothing suited me better. Stewed eel, chervil sauce, the rain skittering on terrace. Unlike the Frobishery and most English homes I have known, meals at the château are not conducted in silence, and Mme. C told me a little about her family. Crommelyncks have lived at Zedelghem since far-off days when Bruges was Europe’s busiest seaport (so she told me, hard to credit), making Eva the crowning glory of six centuries’ breeding. Warmed to the woman somewhat, I admit it. She holds forth like a man and smokes myrrhy cigarettes through a rhino-horn holder. She’d notice pretty sharpish if any valuables were spirited away, however. They’ve suffered from thieving servants in the past, she happened to mention, even one or two impoverished houseguests, if I could believe people could behave so dishonorably. Assured her my parents had suffered the same way, and put out feelers re: my audition. “He did describe your Scarlatti as ‘salvageable.’ Vyvyan spurns praise, both giving and receiving it. He says, ‘If people praise you, you’re not walking your own path.’ ” Asked directly if she thought he’d agree to take me on. “I do hope so, Robert.” (In other words, wait and see.) “You