completion of the simple experiment, receives: the girl's wits are sharpened; she becomes resourceful, helpless, desperate, attentive, inventive; "Feed me, Master," she begs. "Feed me!" at the conclusion of such an experiment, when she is fed, it is always, kneeling naked, from his hand. The lesson is not soon forgotten. Few things so impress the dominance of a male on a woman, and her dependence on him, as his control of her food. This dominance, provided it is absolute, thrills a woman to the core.
I had, from time to time, kept Miss Blake-Allen hungry, giving her only sparing rations. I had not, however, by means of food, truly impressed her slavery on her. I did not want to bring her to her belly at my feet. That pleasure I would deny myself, that it might be reserved for her first full, true master. I wanted to keep her, save for some refinements, a free woman of Earth, wearing a collar, until she was sold. The delights of making her a true slave girl, completely, in the full sense of the word, I would accord to the fellow to whom I would give or sell her. I could imagine her, blue-eyed, fairskinned, angry, proud, rebellious determined to be untamed, standing naked on his submission mat in his tent. After a week I wondered what she would be like.
I turned from the market streets into a street of shops and stalls, the bazaar, which, in Tor, is most commonly reached through the market gate.
"The Aretai will act," I beard one man telling another.
I paused before a given stall, where light, walking chains were being sold. They were strung over racks rather like parrot perches. Without much haggling, I bought one, which seemed to me pretty. They are adjustable, with rings, from a length as small as two inches, for security, to a stride length of about twenty inches. Two keys are provided, each of which fits both ankle-ring locks. I also purchased a set of slave bells, of the thong as opposed to the lock variety. They are less expensive than the lock variety; also, they may be tied at various places on the body, about the neck, the wrist, the ankle, about the thigh, about the arm, etc.; it is delightful to bell a girl; she may not remove them, of course, without her master's permission.
I passed by the door of a slaver's house. High in the house, through one of the narrow windows, I saw a girl, looking out. She smiled, and put her arm out through the window, waving. Her face pressed against the bars. She was collared. I blew her a kiss in the Gorean fashion, brushing it upward to her with my fingers.
I looked into a shop where pottery was being turned. To one side of the wheels, along a wall, sitting among many bowls and vessels, a boy, with his finger, was carefully applying bluish pigment to a large, two-handled pitcher. When the pitcher was placed in the kin this pigment would be burned, hardened, into the glaze. The kilns were in the back of the shop.
"The Kavars, even now, are hiring lances," I heard.
The rugs of Tor are very beautiful. I paused to look upon several of them, hanging in stalls, many others, lying on top of one another, in great, shaded piles. It takes five girls more than a year to make certain of these rugs. The patterns, memorized by the callers, some of them blind, are intricate, and passed down through families. They are made on simple looms and the pile is knotted onto the warp and weft. Some of these rugs have as many as four hundred knots per square hort. The hort is approximately an inch and a quarter in length. Each knot, by a girl, a free woman, is tied individually by hand. There are many varieties of such rugs. Almost all are incredibly beautiful. The dyes used in the malting of these rugs are, on the whole, natural dyes, vegetable dyes, some made from barks and leaves, and roots and flowers, others from animal products, crushed insects, etc. At various places in the bazaar, from a latticework
Lorraine Massey, Michele Bender