The Pull of the Moon
when we open it, as though it were saying the same word in different moods.
    There will be another bedroom with yellow walls. For Ruthie and for guests. A round, floral scatter rug on the floor. Lace here and there. In summer, a blue vase on the dresser with one pink-and-white peony, the shameless-hussy variety. In winter, a fat book lying open there, pale sunlight on the page like a wash.
    I want one bedroom painted a blue leaning toward purple, and I want that room kept empty except for the fill of light and the dust motes, drifting down like inside snow. It will be the place to stand in and get peaceful. To remember the fullness of spareness.
    I want a little room only for me. Stuffed full of what I love. A ticking clock, too, the smooth measure of time that is not hysterical or guilty or full of longing, that offers no judgment of anything, that just says here, here, here, in slow, sounded seconds. Here. Here. Here. Off that room should be a small balcony, facing the water. Room for one chair and a begonia, a flustered red color. Room for one cup of coffee balanced on one knee.
    There should be a shed in the back, with my red bicycle inside, a brown basket on the handlebars. Your bike will be in there too, though I know of course you won’t want a basket, you think it’s wimpy. I’ll use the basket to hold loaves of bread from the bakery, packages I’m taking to the post office. We can ride to look at other parts of the ocean, to see the large and larger rocks, tan colored or gray, sharp or smooth. Waves will crash and the spray will be spectacular, as it always is, small cymbal sounds seeming to come from it.
    We should keep gardening tools in the shed, and old newspapers stacked up neatly, just in case. You know. In case of paint. In case of puppies, in case of kittens, it’s good to keep yourself open to the possibility of them.
    You can do something in our new house just for you too, but this time you will ask me about it. It will be your turn to say, “What do you think about this idea, Nan?” And it will be my turn to say, “Well … I suppose.”
    Well, look how long this letter is, how I have gone on and on! This is so different from the usual way, when I try to cast my thoughts out, meaning to share all of them with you, and then slowly pull the line back in, your not having seen much at all. You stop listening so I seize up, or I seize up so you stop listening. Which is it, Martin?
    I am in Minneapolis, staying at the Radisson, right downtown. Yesterday I bought cowgirl boots and a cowgirl hat. Black. Don’t ask me how or why I found them here. They were in a store window and I answered the call. Then I had caramel corn for lunch and took a walk around a lake, there are lakes everywhere, here. The boots were very comfortable, I don’t think they’ll hurt your picky feet.
    Well, it was supposed to be a surprise, but as you can see now, I bought you boots too. And a hat. White, so you can be the hero. Which you sort of are, to me and to Ruthie. You know we both love you very much. I suppose in my own way I’ve been as neglectful as I accuse you of being. So let me tell you, to start, that I never felt scared of robbers when you were home. And I think your French toast is the best in the world.
    I’m going to a movie now. Middle of the afternoon, in my cowgirl boots. Tomorrow I’m driving further north. I hear it’s beautiful. And when I am there I am once again going to attempt sleeping outside. I don’t know why it’s so damn important to me.
    Do not throw away any of my magazines. Believe me, I will know if you do.
Love,
Nan

Well, I suppose I did a very foolish thing today. On the way out of the city, I picked up a hitchhiker. He seemed so nice, that’s the only way I can say it, standing there, his thumb out and his face a little embarrassed. Handsome thing. He got in and we got to talking and he told me he was coming from his girlfriend’s house, well, not his girl friend, just a friend who

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