as anyone can be in these matters."
"Mm-hm," said Bartelmetz. "Tell me, do you find her
excessively strong-willed? By that I mean, say,, perhaps an
obsessive-compulsive pattern concerning anything to which
she's been introduced so far?"
"No."
"Has she ever succeeded in taking over control of the
fantasy?"
"No!"
"You lie," he said simply.
Render found a cigarette. After lighting it, he smiled.
"Old father, old artificer," he conceded, "age has not
withered your perceptiveness. I may trick me, but never
you.Yes, as a matter of fact, she is very difficult to keep under
control. She is not satisfied just to see. She wants to Shape
things for herself already. It's quite understandableboth to her
and to mebut conscious apprehension and emotional accep-
tance never do seem to get together on things. She has become
dominant on several occasions, but I've succeeded in resuming
control almost immediately. After all, I am master of the
bank."
"Hm," mused Bartelmetz. "Are you familiar with a Buddhist
text Shankara's Catechism?"
"I'm afraid not."
"Then I lecture you on it now. It positsobviously not for
therapeutic purposesa true ego and a false ego. The true ego is
that part of man which is immortal and shall proceed on to
nirvana: the soul, if you like. Very good. Well, the false ego, on
the other hand, is the normal mind, bound round with the
illusionsthe consciousness of you and I and everyone we have
ever known professionally. Good?Good. Now, the stuff this
false ego is made up of they call skandhas. These include the
feelings, the perceptions, the aptitudes, consciousness itself,
and even the physical form. Very unscientific. Yes. Now they
are not the same thing as neuroses, or one of Mister Ibsen's life-
lies, or an hallucinationno, even though they are all wrong,
being parts of a false thing to begin with. Each of the five
skandhas is a part of the eccentricity that we call identitythen
on top come the neuroses and all the other messes which follow
after and keep us in business. Okay?Okay. I give you this
lecture because I need a dramatic term for what I will say,
because I wish to say something dramatic. View the skandhas
as lying at the bottom of the pond; the neuroses, they are
ripples on the top of the water; the 'true ego', if there is one, is
buried deep beneath the sand at the bottom. So. The ripples fill
up the the zwischenwelt between the object and the subject.
The skandhas are a part of the subject, basic, unique, the stuff
of his being.So far, you are with me?"
"With many reservations."
"Good. Now I have defined my term somewhat, I will use it.
You are fooling around with skandhas, not simple neuroses. You
are attempting to adjust this woman's overall conception of
herself and of the world. You are using the ONT&R to do it. It is
the same thing as fooling with a psychotic, or an ape. All may
seem to go well, butat any moment, it is possible you may do
something, show her some sight, or some way of seeing which
will break in upon her selfhood, break a skandhaand pouf!it
will be like breaking through the bottom of the pond. A
whirlpool will result, pulling youwhere? I do not want you for
a patient, young man, young artificer, so I counsel you not to
proceed with this experiment. The ONT&R should not be used
in such a manner."
Render flipped his cigarette into the fire and counted on his
fingers:
"One," he said, "you are making a mystical mountain out of a
pebble. All I am doing is adjusting her consciousness to accept
an additional area of perception. Much of it is simple trans-
ference work from the other senses.Two, her emotions were
quite intense initially because it did involve a traumabut
we've passed that stage already. Now it is only a novelty to her.
Soon it will be a commonplace.Three, Eileen is a psychiatrist
herself; she is educated in these matters and deeply aware of
the delicate nature of what we are doing.Four, her sense of
identity