Free Purple Cane Road by James Lee Burke

body looked like that of a woman ten years her senior.
    “It’s somebody in a limousine, with a chauffeur. She’s rolling down the window. It’s an old woman, Dave,” she said.
     
    I WENT OUT THE back door and walked around the side of the house to the limousine. It was white, with charcoal-tinted windows, and the chauffeur wore a black suit and cap and tie and white shirt. Oddly, his face was turned away, as though he did not want me to see it. Through the limousine’s open back window I saw Jim Gable’s wife, in a white dress and gloves, drinking sparkling burgundy from a crystal glass with a long stem. The late sun’s glow through the trees gave her skin a rosy tone it did not naturally possess, and her mouth was soft, full of wrinkles, when she smiled at me. What was her name? Corrine? Colinda?
    “Micah, open the door so Mr. Robicheaux can get in,” she said to the chauffeur.
    He stepped out of the driver’s seat and opened the back, his face still averted. When I was inside, on the rolled leather seat, he walked down toward the dock just as a flight of snow egrets flew across the water, their wings pink in the sunset.
    “How you do, Miss Cora?” I said.
    “I couldn’t stand staying another day alone while Jim’s in the city. So I got Micah to drive me on a little tour of your lovely area. Join me in a glass of burgundy, Mr. Robicheaux,” she said.
    I realized, listening to her voice, that her Deep South accent came and went arbitrarily, even though her eyes, which were violet, never seemed to vary in their level of warmth and sincerity.
    “No, thanks. Would you like to come in and have a bite to eat?” I replied.
    “I’m afraid I’ve intruded. I do that sometimes. Lack of an audience, that sort of thing.” She watched my face to see if I had inferred a second meaning. Obviously I had not.
    “Audience?” I said, confused.
    “It’s a vanity of mine. I assume everyone on the planet spends time thinking about old movies.” She opened a scrapbook and turned several pages that were thick and stiff with glued news articles and black-and-white photographs. She turned another page, and I looked down at a stunning color photograph of a woman with long blond hair in a black nightgown, reclining seductively on a divan with one arm behind her head. Her eyes were violet, her lipsticked mouth waiting to be kissed.
    “You’re Cora Perez. You were a movie star. I saw you in a film with Paul Muni,” I said.
    “That was at the end of Paul’s career. He was such a wonderful man to work with. He knew how nervous and unsure I was, and he used to bring a flower to me each morning at the set,” she said.
    “It’s an honor to know you, Miss Cora,” I said, still unsure of the reason for her visit. My eyes drifted to the kitchen window, where Alafair’s and Bootsie’s silhouettes were visible at the table.
    “I mustn’t keep you,” she said, and touched me lightly on the back of the hand. “Sometimes I just need someone to reassure me I’m not indeed of diminished capacity.”
    “Pardon?”
    “I’m being declared as such by the court. It’s not flattering, of course. But perhaps they’re right. How does one accused of being mentally impaired prove she is not mentally impaired? It’s like trying to prove a negative.”
    “I don’t think you’re impaired at all, Miss Cora. You strike me as a remarkable person.”
    “Why, you’re obviously a man of great wisdom, Mr. Robicheaux.”
    I thought she would say more and explain her presence or whatever need it was that hovered around the edges of her sentences, but she didn’t. I shook hands with her and got back out of the car, which the chauffeur took as his signal to walk back up from the dock. He fixed his cap down on his forehead and pretended he was studying the details of the dirt road and trees and canebrakes on either side of him as he approached the limousine.
    “Try not to stare at Micah. He has a deformity of the face. Jim calls him