little girl into a young
woman. We went out on a road called Ballarat and soon began
picking up numbered streets and avenues, most of them in
the high hundreds. It was rural by nature, but the streets
seemed linked to Seattle, as if some long-ago urban planner
had plotted inevitable annexations well into the next
century. We came to the intersection of Southeast 106th
Place and 428th Avenue Southeast: I still couldn’t
see much, but I knew we were in the country. There was a
fenced pasture, and occasionally I could see the lights of
houses far back from the road. “Here we are,”
Eleanor said abruptly. “Just pull over here and
stop.” I pulled off the road across from a gate,
which was open. My headlights shone on a mailbox with the
name rigby painted boldly across it, and under
that—in smaller letters—the north bend press.
We sat idling. I could hear her breathing heavily in the
dark beside me. The air in the car was tense.
“What’s happening?” I asked her.
“What do you mean?”
“Is there a problem?”
“Not the kind of problem you’d imagine. I
just hate to face them.”
“Why would you feel like that?”
“I’ve disappointed them badly. I’ve
done some things…stuff I can’t talk
about…I’ve let them down and suddenly
it’s almost impossible for me to walk in there and
face them. I can’t explain it. The two people I love
best in the world are in there and I don’t know what
to say to them.”
“How about ‘hi’?”
She gave a sad little laugh.
“Seriously. If people love each other, the words
don’t matter much.”
“You’re very wise, Janeway. And you’re
right. I know they’re not going to judge me.
They’ll just offer me comfort and shelter and
love.”
“And you shudder at the thought.”
“I sure do.”
We sat for another minute. I let the car idle and the
heater run and I didn’t push her either way. At last
she said, “Let’s go see if Thomas Wolfe was
right when he said you can’t go home
again.”
I turned into the driveway. It was a long dirt road that
wound through the trees. The rain was beating down
steadily, a ruthless drumbeat. In a moment I saw lights
appear through the trees. A house rose up out of the mist,
an old frame building with a wide front porch. It looked
homey and warm, like home is supposed to look to a tired
and heartsick traveler. But Eleanor had begun to shiver as
we approached. “Th-there,” she said through
chattering teeth. “Just pull around the house and
park in front.” But as I did this, she gripped my
arm: my headlights had fallen on a car.
“Somebody’s here! Turn around, don’t
stop, for God’s sake keep going!” Then we saw
the lettering on the car door—the vista printing
company—and I could almost feel the relief flooding
over her. “It’s okay, it’s just Uncle
Archie,” she said breathlessly. “It’s
Mamma’s uncle,” she said, as if I had been the
worried one. A light came on, illuminating the porch and
casting a beam down the stairs into the yard: someone
inside had heard us coming. I pulled up in front of the
other car at the foot of the porch steps. A face peered
through cupped hands at the door. “Mamma,”
Eleanor said, “oh, God, Mamma.” She wrenched
open the door and leaped out into the rain. The woman met
her on the porch with a shriek and they fell into each
other’s arms, hugging as if they hadn’t seen
each other for a lifetime and probably wouldn’t
again, after tonight. I heard the woman yell,
“Gaston!…Get out here!” and then a man
appeared and engulfed them both with bearlike arms. I had a
sinking feeling as I watched them, like Brutus
might’ve felt just before he stabbed Caesar.
Now Eleanor was waving to me. I got out and walked
through the rain and climbed the steps to the porch.
“This is the man who saved my life,” Eleanor
said