ribbon.
"You're just lucky you weren't here for the arguments when we made that decision," she said. "I thought Sandra Whitmoyer and Phillip Longstreet would come to blows."
"I couldn't imagine people would get so excited about it."
She raised her eyebrows. "You mentioned that you sometimes design churches. Don't you get into some passionate debates on that subject?"
He thought of one committee that had nearly canceled the entire project because they couldn't agree on the shape of the education wing. "You have a point there. People do feel passionate about things that affect their church or their home. I suppose the same applies when you're talking about a village the size of Churchville. They all feel they have a stake in the outcome."
She nodded. "It surprised me a little, when I came back after spending a lot of time in an urban setting. At first it bothered me that everyone seemed to know everyone else's business, but then I realized it's not just about wanting to know. It's about caring."
He was unaccountably touched. "That's a nice tribute to your community."
"I like belonging."
The words were said quietly, but there was a depth of feeling behind them that startled him. He would like to pursue it, but they'd come to a stop in front of Longstreet's Antiques, and Rachel's focus had obviously shifted to the job at hand.
"Don't show too much interest in any one thing," she warned as he opened the door, setting a bell jingling. "Unless you want to walk out the door with it."
He nodded, amused that she thought the warning necessary, and followed her into the shop.
SIX
L ongstreet's Antiques always looked so crowded that Rachel thought Phil must use a shoehorn to fit everything in. When she'd said that to him, he'd laughed and told her that was one of the secrets of his business. When people saw the overwhelming display, they became convinced that they were going to find a hidden treasure and walk away with it for a pittance.
Even though she knew the motive behind it, the place exerted exactly that sort of appeal over her. She'd like to start burrowing through that box of odds and ends, just to see what was there. But she doubted that anyone ever got the better of Phil Longstreet on a deal. He was far too shrewd for that.
Thinking about bargains was certainly safer than letting her thoughts stray toward Tyler. She watched as he squatted beside a wooden box filled with old tools, face intent as he sifted through them. They'd gone so quickly to a level where she felt as if she'd known him for years instead of days.
But there was nothing normal about their friendship, if you could call it that. He'd come here for a purpose that involved her family, and she couldn't forget that. If anything he learned threatened her people—
He glanced up, catching her gaze, and smiled. A wave of warmth went through her. Maybe just for the moment she could shove other issues to the back of her mind and enjoy being with him.
"I'm ready for my lesson whenever you are, teacher." He stood, taking a step toward her.
Pennsylvania Dutch furniture, she reminded herself.
"Well, here's a good example of what's called a Dutch bench, which was on your list." She pointed to the black wooden bench with its decorative painting of hearts and tulips. "It's basically a love-seat-size bench with a back. It's a nice piece to use in a hallway."
He nodded, touching the smooth lacquer of the arm. "Now that I see it, I remember one like this. It was in the back hall. My grandfather used to sit there to pull his boots on before he went to the barn."
"It's not there now. I'd have noticed it when we were in the kitchen."
"No." He frowned. "Of course, it could have gone anytime in the past twenty years, and I wouldn't know the difference."
"A lot of small things might have disappeared without being noticed, even if the attorney visited the place occasionally. You should check on the dishes. According to the inventory, your grandfather had a set of