determination to carry it out. Let them say what they will. I'll never accept that Henry Redmayne is a ruthless killer, nor will Sir Humphrey.'
'What of Captain Harvest?'
Crenlowe sighed. 'James has let you down badly, alas.'
'In what way?'
'He's convinced of your guilt and is telling everyone who'll listen to him that you are a dangerous man with a temper you could not control. Sir Humphrey and I are so appalled by his behaviour that we've cut him dead.'
"The villain!'
'Forget him, Henry. Lean on your friends.'
'I did not know that I still had any.'
'One stands before you,' said Crenlowe loyally, 'and there are others who do not doubt your innocence. If there's any way that we can help, you've only to ask.'
'Your visit has been a medicine in itself, Martin. It's cured my one malady - the fear that the whole of London had turned against me. As for help,' said Henry, 'the person you must turn to is my brother, Christopher. He's trying to marshal my defence and would welcome aid from any source. He lives in Fetter Lane.'
'You once pointed out the house to me.' He heard the key in the lock again. 'My time is up. I was only permitted a brief moment with you.'
'You've brought me more comfort than I can say.'
'Enjoy the wine,' said Crenlowe as the door creaked open. 'And do not despair, Henry. We'll get you out of this somehow.'
'God bless you!'
The house was in Covent Garden and Christopher Redmayne spent several minutes admiring its exterior before he knocked on the door. It was typical of the properties that were being built in increasing numbers in the area, tall, imposing and elegant with a narrow frontage. Marble pillars supported the portico. Evidently, a considerable amount of money had been spent on the house by someone with firm views about architecture. A manservant opened the door and, after listening to the visitor's name and request, invited him into the hall while he went off to speak to his master. There was a long delay during which Christopher inspected the paintings on the wall. Like his brother, Sir Humphrey Godden had an insatiable curiosity in the naked female form. Nudes of varying shapes and sizes abounded. In the one portrait where a young lady was fully dressed, she was raising an expressive eyebrow while exposing a rounded breast to the artist. Christopher was still studying a picture of a Bacchanalian orgy when footsteps clacked across the marble floor. He turned to see a tall, striking man in his forties with a black moustache that matched exactly the colour of his wig. Dressed to go out in a scarlet cloak, he was carrying a hat and cane. He eyed his visitor with frank displeasure.
'Sir Humphrey?' asked Christopher.
'You come at an inopportune moment, Mr Redmayne,' replied the other, putting on his hat. 'I was about to leave.'
'I'll not detain you long. I'm sure that you can guess why I'm here.'
'If it is to ask me to change my evidence, you are wasting your time. I spoke as my conscience dictated. Your brother threatened to kill Jeronimo Maldini and I heard him loud and clear. That's what I reported.'
'Henry admits it himself.'
'Then this conversation is superfluous.'
'Not so, Sir Humphrey,' said Christopher, wondering why the man was so unwilling to talk to him. 'I came here on my brother's behalf because I understood that Henry counted you among his friends.'
'We've shared many pleasurable times together.'
'In view of that, is it too much to ask that you might try to help him?'
'I have an appointment, Mr Redmayne.'
'So does Henry, unless he is cleared of the charge. I venture to suggest that his appointment is of more significance than yours since it would be with the hangman.'
'Very well,' said Sir Humphrey with undisguised irritation. 'Ask what you
Patricia Haley and Gracie Hill