Free The Man With the Golden Gun (James Bond) by Ian Fleming Page B

them, but also being a bloody fool.
    7
    Un-real Estate
    When he arrives at a place on a dark night, particularly in an alien land which he has never seen before—a strange house, perhaps, or an hotel—even the most alert man is assailed by the confused sensations of the meanest tourist. James Bond more or less knew the map of Jamaica. He knew that the sea had always been close to him on his left and, as he followed the twin red glares of the leading car through an impressive entrance gate of wrought iron and up an avenue of young royal palms, he heard the waves scrolling into a beach very close to his car. The fields of sugar cane would, he guessed from the approach, come close up against the new high wall that surrounded the Thunderbird property, and there was a slight smell of mangrove swamp coming down from below the high hills whose silhouette he had occasionally glimpsed under a scudding three-quarter moon on his right. But otherwise he had no clue to exactly where he was or what sort of a place he was now approaching and, particularly for him, the sensation was an uncomfortable one.
    The first law for a secret agent is to get his geography right, his means of access and exit, and assure his communications with the outside world. James Bond was uncomfortably aware that for the past hour he had been driving into limbo, and that his nearest contact was a girl in a brothel thirty miles away. The situation was not reassuring.
    Half a mile ahead, someone must have seen the approaching lights of the leading car and pressed switches, for there was a sudden blaze of brilliant yellow illumination through the trees and a final sweep of the drive revealed the hotel. With the theatrical lighting and the surrounding blackness to conceal any evidence of halted construction work, the place made a brave show. A vast pale-pink-and-white pillared portico gave the hotel an aristocratic frontage, and when Bond drew up behind the other car at the entrance, he could see through the tall Regency windows a vista of black-and-white marble flooring beneath blazing chandeliers. A bell captain and his Jamaican staff in red jackets and black trousers hurried down the steps, and after showing great deference to Scaramanga, took his suitcase and Bond's. Then the small cavalcade moved into the entrance hall, where Bond wrote Mark Hazard and the Kensington address of Transworld Consortium in the register.
    Scaramanga had been talking to a man who appeared to be the manager, a young American with a neat face and a neat suit. He turned to Bond. "You're in Number twenty-four in the west wing. I'm close by in Number twenty. Order what you want from room service. See you about ten in the morning. The guys'll be coming in from Kingston around midday. Okay?" The cold eyes in the gaunt face didn't mind whether it was or not. Bond said it was. He followed one of the bellboys with his suitcase across the slippery marble floor and was led into a long white corridor with a close-fitted carpet in royal-blue Wilton. There was a smell of new paint and Jamaican cedar. The numbered doors and the light fittings were in good taste. Bond's room was almost at the end on the left. Number 20 was opposite. The bellhop unlocked Number 24 and held the door for Bond. Air-conditioned air gushed out. It was a pleasant modern double bedroom and bath in grey and white. When he was alone, Bond went to the air-conditioning control and turned it to zero. Then he drew back the curtains and wound down the two broad windows to let in real air. Outside, the sea whispered softly on an invisible beach and the moonlight splashed the black shadows of palms across trim lawns. To his left, where the yellow light of the entrance showed a corner of the gravel sweep, Bond heard his car being started up and driven away, presumably to a parking lot, which would, he guessed, be at the rear so as not to spoil the impact of the facade. He turned back into his room and inspected it minutely. The only