Free Trio For Blunt Instruments by Rex Stout

elevator, and on the way up she asked the operator if he had taken anyone to the tenth floor and he said no. When we got out she pointed to a door across the hall to the left and said, 'That's Ashby's room.'
    There were two doors in range across the hall, the one she had pointed to, six paces to the left, and one six paces to the right with the number 1018 and below it MERCER'S BOBBINS, INC., and below that ENTRANCE. I asked if that was the reception room, and she said yes.
    'This takes generalship,' I said. 'If we both go through the reception room and around, he hears us and ducks out this way. This door can be opened from the inside?'
    'Yes.'
    'Then I'll stick here. Maybe you'd better get the elevator man to go in and around with you. He might get tough.'
    'I can take care of myself. But I'm not taking orders from you.'
    'Okay, I'll get the elevator man.'
    'No.' Her chin was stiff again-too bad, for it was a nice chin. She moved. As she headed for the door to the right I told her back, not loud, 'Don't try to stalk him. Let your heels tap.'
    As I went to the door on the left and put my back to the wall, near its edge that would open, I was regretting that I had disregarded one of my personal rules, made some years back when I had spent a month in a hospital, that I would never go on an errand connected with a murder case without having a gun along. When you're just standing and listening, your mind skips around. For instance, what if Ashby had been in with a narcotics ring, and he kept bobbins full of heroin in the files in his room, and one or more of his colleagues had come Monday and bumped him, and they had come back to look for bobbins, and they now emerged with hardware'Or, for instance, what if a competitor, knowing that Ashby was responsible for Mercer's Bobbins taking over his customers, had got desperate and decided to put an end-
    The door opened, and the opener, not seeing me, was coming out backward, pulling the door shut, easy. I put my hand in the small of his back and pushed him back in, not too easy, and followed him. He stumbled but managed to recover without going down. Frances Cox's voice came. 'Oh, it's you!'
    I spoke. 'This is getting monotonous, Mr. Busch. A door opens, and there you are. Are you surprising me, or am I surprising you?'
    'You dirty double-crosser,' Andrew Busch said. 'I can't handle you, I know that, I found that out. I wish to God I could, and Nero Wolfe too. You lousy rat.' He started for the door, not the one to the outer hall, the one where Miss Cox was standing.
    'Wrong number,' I said. 'I didn't know who I was shoving. We don't owe you anything; we're working for Elma Vassos.' He had turned and I had approached. 'As for my being with Miss Cox, I wanted to have a look around and someone had to let me in. That's why I'm here. As I asked you once before, why are you here?'
    'Go to hell. I think you're a damn liar and a rat.'
    'You're wrong, but I can't right you now. Of course you were looking for something, and if you found it I want to know what it is. I'm going over you. As you say, you can't handle me, but that's no disgrace. I'm bigger and stronger, and you're an office manager and I'm a pro. Stand still, please.' I moved behind him.
    I frisked him. Since he hadn't been expecting visitors it wasn't necessary to have him take off his shoes, but I made sure that he had no paper or other object on him that he might have found in that room. He didn't. Miss Cox had moved away from the door and stood and watched, saying nothing. Busch stood stiff, stiff as stone. When I stepped back and said, 'Okay, I guess you hadn't found it,' he walked to the door, the inner one, and on out, without a word.
    I looked around. Everything seemed to be in order; not even a drawer or a file was standing open. It was an ordinary executive office, nothing special, except that most of one wall was lined with filing cabinets. There was no hunk of polished petrified wood on the desk; it was probably still