Free Pavane by Keith Roberts

of wood. He stared, realising his foolishness; then he tried to roll off the bunk. The blankets, glued to his back, prevented him. He tried again, shivering now with the cold. The stove was unlit; the cabin door stood ajar, white crystals fanning in across the planking of the floor. Outside, the howling of the wind was relentless. The boy struggled; the efforts woke pain again and the sickness, the thudding and roaring. Images of the semaphore handles doubled, sextupled, rolled apart to make a glistening silver sheaf. He panted, tears running into his mouth; then his eyes slid closed. He fell into a noisy void shot with colours, sparks, and gleams and washes of light. He lay watching the lights, teeth bared, feeling the throb in his back where fresh blood pumped into the bed. After a while, the roaring went away. The child lay couched in long grass, feeling the heat of the sun strike through his jerkin to burn his shoulders. In front of him, at the conical crest of the hill, the magic thing flapped slowly, its wings proud and lazy as those of a bird. Very high it was, on its pole on top of its hill; the faint wooden clattering it made fell remote from the blueness of the summer sky. The movements of the arms had half hypnotised him; he lay nodding and blinking, chin propped on his hands, absorbed in his watching. Up and down, up and down, clap... then down again and round, up and back, pausing, gesticulating, never staying wholly still. The semaphore seemed alive, an animate thing perched there talking strange words nobody could understand. Yet words they were, replete with meanings and mysteries like the words in his Modern English Primer. The child's brain spun. Words made stories; what stories was the tower telling, all alone there on its hill? Tales of kings and shipwrecks, fights and pursuits, Fairies, buried gold... It was talking, he knew that without a doubt; whispering and clacking, giving messages and. taking them from the others in the lines, the great lines that stretched across England everywhere you could think, every direction you could see. He watched the control rods sliding like bright muscles in their oiled guides. From Avebury. where he lived, many other towers were visible; they marched southwards across the Great Plain, climbed the westward heights of the Marlborough Downs. Though those were bigger, huge things staffed by teams of men whose signals might be visible on a clear day for ten miles or more. When they moved it was majestically and slowly, with a thundering from their jointed arms; these others, the little local towers, were friendlier somehow, chatting and pecking away from dawn to sunset. There were many games the child played by himself in the long hours of summer; stolen hours usually, for there was always work to be found for him. School lessons, home study, chores about the house or down at his brothers' small-holding on the other side of the village; he must sneak off evenings or in the early dawn, if he wanted to be alone to dream. The stones beckoned him sometimes, the great gambolling diamond-shapes of them circling the little town. The boy would scud along the ditches of what had been an ancient temple, climb the terraced scarps to where the stones danced against the morning sun; or walk the long processional avenue that stretched eastward across the fields, imagine himself a priest or a god come to do old sacrifice to rain and sun. No one knew who first placed the stones. Some said the Fairies, in the days of their strength; others the old gods, they whose names it was a sin to whisper. Others said the Devil. Mother Church winked at the destruction of Satanic relics, and that the villagers knew full well. Father Donovan disapproved, but he could do very little; the people went to it with a will. Their ploughs gnawed the bases of the markers, they broke the megaliths with water and fire and used the bits for patching dry stone walls; they'd been doing it for centuries now, and the