Renegade Agent
that there had been more than the four guards. He stowed the NVD and moved on to the chalet's door.
    From there on in, the play would have to be by the ear.
    Beyond the front doors, the first floor was still laid out like the hotel lobby it had once been. Several chairs and two sofas were arranged before a fireplace, and the front desk was off to one side.
    Beyond the desk was a staircase.
    A swarthy guy in fatigues with no insignia was sitting in one of the chairs, facing the doors. There was an M-16 in his lap, and on top of it a girlie magazine opened to the centerfold. The guy's head was back, and his eyes were closed.
    Through the crack where the doors met, Bolan could see a thrown deadbolt. He set the silenced Beretta on single-shot and put a slug into the bolt. The impact didn't make much noise, but it was enough to wake the door guard. He shook sleep out of his eyes, threw the magazine across to the sofa, and got cautiously up, the auto-carbine at port arms. Bolan saw he was also wearing a military .45 automatic pistol in a holster. When he was close enough to see the busted lock, Bolan came through the door.
    Then the guy was pinned hard against the wall, the M-16 immobilized by the press of Bolan's body, a handful of his blouse twisted into Bolan's hard fist, which pressed into his chest. The wall was covered with flowered paper, beginning to fade.
    Bolan let the guy have a very close look at the end of the Beretta's suppressor. "Where's Corey James?" The guy opened his mouth to gasp in air, but it was a lousy attempt at a stall. Bolan anticipated the move before the guy had started it, letting go of the pinned M-16 and clawing for the .45 on his hip. The Beretta made a soft pffutt and spit a 9mm whizzer into the guy's face. Stuff came out of the back of his head and dripped down over the faded flowers.
    Bolan's sensitive hearing picked up footsteps on the staircase. The first guy followed instinct and tried to get in the opening shot, and took a three-round burst from navel to neck for his trouble. The second guy followed common sense, and faced the blacksuited nightfighter with both hands over his head.
    Bolan used the barrel of the Beretta to motion the guard down the rest of the stairs, then back against the wall next to the fireplace. He was a big-boned black man, and the gaze he gave Bolan was sullen. But then he saw the nearly headless corpse sprawled on the other side of the room, and his eyes widened in fear.
    "James," Bolan said, crossing to him, the Beretta big in his fist. He stopped three feet from the black man, did not touch him. "Where is he?"
    The black pointed with his chin.
    "Downstairs. Only one door there." He spoke with a thick West Indian accent. "You gonna kill me too?"
    "You're already dead, guy," Bolan said. He laid the suppressor against the black's temple, his hand moving fast as thought, and the guy went down like a sledge-hammered cow. Blood glistened along his hairline. No sound came from the chalet's bowels.
    Bolan did not like leaving the bodies there in the open, even for a few minutes. But there was greater risk in not reconning. He did not want his upcoming chat with Corey James to be interrupted.
    The second and third floors were occupied by rooms bisected by a single long corridor. Light shone under the door of one on the second floor, but when Bolan kicked into it he found it empty, although it was clearly someone's quarters. The name on an old envelope identified the someone as Corey James.
    If the lobby and the upper floors had been left as they were when the place was a hotel, the basement had undergone some remodelling, for sure. Bolan cat-footed down carpeted stairs. At the bottom there was a short entryway passage that jogged hard right after a few steps. At its corner a video camera on a motor mount was sweeping the entryway.
    Bolan put a slug into the lens.
    Beyond the corner the featureless hallway ended ten feet farther on in a windowless door. The door swung open and

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