and Guyana meet. Tell her the truth, that you never knew where she was from until you asked, and when you finally asked it was way later than you wanted. Put the principal in class with all the run-down teachers, no pencils, paperless notebooks. Donât give him books because you know he is lazy. Call him lazy. Because he is. Make him walk in and out of the metal detectors, saying, âNext school year I will do better, and serve you better.â Make him mean it. Show up. Pencils and papers at the ready.
At the Café
PATRICIA KIRKPATRICK
after Adelia Prado
I must look like Iâm confident,
white cup for tea on the table before me,
my son in his indigo bunting,
asleep in the stroller.
When I take out my pen
I must look like a woman
who knows what her work is
while citron and currant
bake in ovens behind me.
Newspaper, lilyâ
I read in the book that poetry is about the divine.
God came to the window while I was in labor.
Tenderness, tenderness!
I have never forgotten that
sparrow among the clay tiles.
Who knows my name knows I mash
oatmeal, change diapers,
want truly to enter divinity.
God knows it too, knows that
wherever I go now I leave out
some part of me.
I watch my sonâs face like a clock;
he is the time I have.
If I choose this window, this black-and-white notebook,
I must appear to be what I am:
a woman who has chosen a table
between her sleeping child
and the beginning of everything.
Worked Late on a Tuesday Night
DEBORAH GARRISON
Again.
Midtown is blasted out and silent,
drained of the crowd and its doggy day.
I trample the scraps of deli lunches
some ate outdoors as they stared dumbly
or hooted at us career girlsâthe haggard
beauties, the vivid can-dos, open raincoats aflap
in the March wind as we crossed to and fro
in front of the Public Library.
Never thought youâd be one of them,
did you, little lady?
Little Miss Phi Beta Kappa,
with your closetful of pleated
skirts, twenty-nine till death do us
part! Donât you see?
The good schoolgirl turns thirty,
forty, singing the song of time management
all day long, lugging the briefcase
home. So at 10:00 PM
youâre standing here
with your hand in the air,
cold but too stubborn to reach
into your pocket for a glove, cursing
the freezing rain as though it were
your difficulty. Itâs pathetic,
and nobodyâs fault but
your own. Now
the tears,
down into the collar.
Cabs, cabs, but none for hire.
I havenât had dinner; Iâm not half
of what I meant to be.
Among other things, the mother
of three. Too tired, tonight,
to seduce the father.
The Age of Great Vocations
ALANE ROLLINGS
Youâve seen the skirts go up and down
In bread lines, soup lines, cheese lines, shanty towns.
No one can say you arenât seeking work.
The answers come by mail at noon: No interview.
The best companies never respond; you respect them.
Some days, you donât bother to open the letters,
Just tear them to bits and go out for a walk.
Itâs a small fraud by the worldâs standard:
You canât do things like ask for directions,
So you call yourself an adventure-collector.
Failureâs a field with real opportunities
For a girl with a pile of business magazines
Which she will probably have to burn for heat.
Your luck will get either worse or better.
The world is none of your business;
It doesnât give you a living.
Someone calls your bluff, asks for references.
You read up on yourself in the library.
With lies, you can double your existence.
In an endless dream of introductory letters,
The applicants sit in all their best clothes,
Their ages against them, their loneliness
Repeated many times. The managers walk around, choosing.
You say youâve done singing telegrams and balloon bouquets
(youâve done strip-o-grams, sold flowers at traffic lights).
Youâre a cake decorator, youâve been to zoo school
(youâre a