whenever it is possible.
These little private realms should be arranged around a shared larger area.
One form that has been proven to work quite well as a shared space is the
farmhouse kitchen mentioned earlier. In this case, the kitchen is also the din-
ing room and the family/living room. It is designed to contain the dining table
and cooking facilities, and enough space to serve a variety of functions.
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In the common area of a shared household (be it inside or out), traffic zones
and activity zones need to be kept apart. Unlike the space in a one-person
residence or a private room, people will be passing through the common
area regularly, so projects need to be kept out of traffic’s way. Provide activity
nodes at the area’s periphery to keep the center wide open.
Keep it light. Light colors tend to make a space feel more open, while dark
ones will make the same space feel crowded.
Make it flexible. If your desk can double as a dining table, so much the
better. Mobile bookcases and cabinets can be used as room dividers, then
moved out of the way for activities that require more space. A Murphy bed
can transform an office into a guest room in seconds. Folding tables and
chairs allow for further flexibility.
Extend sight lines to make small rooms feel more generous.
Views from one part of the house into another or to the outdoors will make
that part feel more expansive.
Keep clutter out of sight and, thus, out of mind. This goes a long
way to improve how we experience a space. Be sure to include areas where
clutter, or even everyday items, can be stored away and hidden from view. An
uncluttered house will result in an uncluttered mind and unfettered creativity.
Take advantage of the outdoors whenever possible. Outdoor
rooms add functional space without the added cost of water-tight, insulated
construction.
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If necessary, sacrifice space for the illusion of space. Our per-
ceptions of spaciousness often have more to do with perception itself than
actual volume. Occasionally, it will become necessary to sacrifice actual
space to achieve a design that feels more open. By lowering the ceiling in
one area, for example, the volume in a neighboring area will generally ap-
pear to increase.
Remember the invisible parts. With the basic shapes and sizes more
or less established and in place, more attention can now be paid to arranging
any furnishings or integral elements. Do not forget to include room for pipes
and heating ducts if any are needed. Keep the plumbing as localized as pos-
sible. If the water heater is at one end of the house and the shower is at the
other, you will have to wait a long while for hot water when you go to bathe.
Keep refining. As the floor plan becomes clearer, feel free to add some
details and to eliminate any unused or unusable parts. To read as a strong
composition, every square inch of your house should be contributing to the
whole structure and its function. Feet, inches and quarter-inches can be
shaved off as the design begins to reveal its own needs. Before things get
too finite on the inside, make scale drawings of the front, back and sides of
the structure to determine what changes may need to be made there.
Align everything that can be aligned. Consider the hierarchy of the
place. Lower ceilings and enlarge some doorways, if necessary. So long as
necessity is allowed to make the decisions, all of this should come pretty
naturally. Remove yourself from the process and let nature take over. The
resulting home will be beautifully simple.
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Basic Dimensions and Potential Restrictions
Every inch counts in a small house, so knowing exactly how many inches are
required for each element is important. Dimensions for the integral parts of a
house are listed here. The wall, floor and roof thicknesses listed are for the
most standard type of construction—that which uses 2x lumber and half-inch
plywood as the primary building materials.
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain