in ' Nam had a story about the stuff we worked with, and the stuff we ate. The gear that rotted, the mortar rounds that fell short, the early Ml6s that jammed in firefights, the C-rations that included four cans of limas and ham and nothing else but a pack of Lucky Strike Greens, which had been manufactured in World War II.
When I saw that loose change rattling around in the radio, I decided the whole damn defense industry could take a flying leap. I haven't changed my mind.
All this cooked down in the lizard brain while I worked through the kata, through the difficult stances, the slow pressing moves, and the impossible sidekicks. When I finished I was sweating hard. The sensei, who looked in from time to time, said with hard work I should have it under control in two or three more years. In another sport, the comment might have been sarcastic. Not in Shotokan. He was absolutely sincere. It may have been the nicest thing he ever said to me.
After the workout, I hit the makiwara board fifty times with each hand, showered, walked back to the apartment. I called Weenie, he called LuEllen, and she called back five minutes later and signed up. I called Dace, and he was ready to go. Then I called Anshiser and told him I'd take the job.
"With one more condition."
"What?" he asked.
"I write the contract. You sign it and fingerprint it, and I stash it. It will be straightforward and incriminating. No wherefores or parties of the second part. It might not be binding in court, but it will bind your ass if you leave us stranded out there."
"Agreed."
"I'll there tomorrow. I'll want the first million. I'll want it early enough to get to a bank."
"Make it about one o'clock at the house. It'll take the morning to get it together," he said.
What?
I'm moving. Don't dump to apartment. I'll call. OK?
Ok. Got about 70 names/addresses/telephones for Whitemark execs who may use home terminals. Goes slow getting positives on addresses, confirming computers.
How long to finish?
Tomorrow.
Good. Money OK?
So far charged $2,250.
There's more if you need it.
OK/Goodbye.
It took a good part of the day to close the apartment down. I dumped the garbage, cleaned out the refrigerator, and put together a basic watercolor kit for road work. Emily agreed to take care of the cat and the Whistler and to pick up mail and pay utility bills. I gave her an envelope full of cash to cover it.
Before leaving, I spread the cards again. The Wheel of Fortune, reversed, was dominant. That told me nothing. I knew that.
Just after dark, I rolled onto Interstate 94 in my two-year-old Oldsmobile. It's a big, clumsy car with lots of power, comfortable seats, and a large trunk where eye-catching gear-terminals, printers, cameras, painting equipment-can be stashed out of sight. I tuned in WLS, and let the fifty thousand clear-channel watts of rock 'n' roll suck me down the highway toward Chicago.
CHAPTER 7
I spent the early morning at the Art Institute. Rembrandt didn't paint Young Girl at an Open Half-Door, like the museum says he did, but I like it anyway. And even if you dislike pointillism, Georges Seurat's Sunday Afternoon on the Ile de la Grande Jatte is a masterwork. When I see it, I tend to hyperventilate. It's like looking down that marvelous wall of Degas's paintings at the Met.
As usual, I overstayed my time and had to race across town to meet LuEllen at O'Hare. She was wearing a tan summer suit with slacks, a touch of lipstick, and a white panama hat that snapped down over her eyes. We picked up her bags and went downtown and rented safety deposit boxes at the Second Illinois. Afterward, I dropped her at my hotel while I went to Anshiser's. Maggie met me at the door and took me up. The money was in a small fake-leather suitcase on Anshiser's desk.
"The contract?" he asked. His voice trembled, and he cleared his throat. Dillon was back in his chair against the wall, still dressed in gray, still showing the small smile.
"Right here." I handed him