The Metropolis
Sister Mary Michael said not even one second after Maria had finished, ruining the tranquillity of the moment. “Now you can please leave for the principal’s office.”
    “Why?” Maria turned to her, crestfallen that the sister was not basking in the proffered glory.
    “That you even have to ask shows how much you have to learn.” The sister addressed the other students, who, sensing bloodshed, leered at Maria. “While this is indeed a music class, it is, like all of our classes, foremost about respect and working together.” She returned to Maria. “Now go.”
    Maria felt as if she were being lowered into a cauldron of boiling lava, her flesh burning from her body in great scalded chunks, except unlike a saint, she felt no love or forgiveness as she retrieved her books from her desk and glared at every student before she arrived back at Sister Mary Michael, who now stood next to the blackboard. “This is fucking bullshit,” Maria declared as she reached the doorway. Though she addressed nobody in particular, there was no mistake, thanks to her excellent diction, about what she had said; it was loud enough that it surprised even her, for she had never said the word
fucking
or
bullshit
to anyone, let alone a nun.
    In response, Sister Mary Michael wielded the dreaded ruler high overhead in one hand and took three quick steps with the obvious intent to grab or perhaps slay Maria, who twisted away with enough force to cause the sister to spin into a quick but indelicate pirouette before landing with a thud on her behind, at which point the class erupted into screams and shrieks; for St. Anne’s, this wasmayhem for the history books. Possessed by nothing but a desire to escape, Maria bounded out of the room and down the hall before she slipped out of the school through a back stairwell. Tears burned her eyes and made her fall many times in her frantic rush to get home, where she arrived a few minutes later with skinned knees and bloody palms.
    Gina had never seen her daughter in such a disheveled state and grew even more alarmed when, instead of running to her for comfort, Maria stormed into her room, where she slammed the door. Moments later the phone rang; the principal was on the line, accompanied by Sister Mary Michael. “This is a very serious matter,” she said after laying out the details of the felony. “I have every intention of expelling Maria.”
    “Expelling? She’s never given anyone any trouble,” Gina protested. “I’m sure there must be some explanation.”
    “I don’t know if I would characterize Maria as trouble-free.”
    Gina felt flustered, as if she were about to get expelled, but then had a vision of her daughter singing in the living room, at which point all her doubts about Maria seemed to congeal into a hollow vessel she wanted to smash in the heat of accusation. “Nobody understands her, that’s all. She’s very talented—and whatever she said about the sister’s singing, I’m sure she was right.”
    “I’m sorry, Mrs. Sheehan, but whether Maria was ‘right’ or not is beside the point. Assuming the decision is made to accept Maria back into the school—which is far from certain—may I suggest perhaps a little less emphasis at home on Maria’s wants and a little more on fitting in?”
    Gina felt relieved after she hung up, and even proud that Maria—who knew how to sing—had given the sister what she deserved. But the second this thought crossed her mind, it was followed by new doubts: Gina wondered if they had played too much musicover the years, or if she had overindulged Maria with her backyard productions; after all, the consequences could be serious. Except as she listened to Maria’s muffled cries through the bedroom door, she knew it was too late. A wave of sadness and empathy brought tears to her eyes, and she felt certain that her daughter was afflicted with the same longing as she was. If this, too, was a relief to admit, it gave way to a new fear that if

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