wait on myself.â
But Mrs. Morton did not have to wait on herself. Her husband lunged forward and settled her on the little sofa opposite Miss Vauregard, with a stand at her elbow. He poured out her drink, brought it to her, and sat down at her side. Gamadge was sinking back into his chair, but she waved him nearer.
âSit beside Robina,â her mellifluous voice besought him, âand let us talk our family scandal over quietly. Where is Clara, Robina? Late, as usual; we must try to get on without her advice. Pull up your chair, Dickie. What did you think of the young woman, Mr. Gamadge? I would not see her, but my husband tells me she has looks. Do you agree with him?â
Gamadge said: âShe is very good looking. About my taking the case, Mrs. Morton; itâs absurd, really. Iâm not a detective. I have no organization, and no facilities for this kind of work. I canât watch people, and I canât trail them. I canât even look them up, properly. Nobody but the police can really do that.â
âThe police are out of the question, Mr. Gamadge; didnât my sister explain that? Your observations are what we want.â
âThey may be worthless to you, and a waste of time.â
âWeâll risk it. What did you think of Miss Smith?â
âI thought her very dangerous.â
âDid you really? In what way?â Mrs. Morton glanced at her husband, whose arm was lying along the back of the settee, and whose hand occasionally patted her shoulder. âNot as a siren, I gather,â she went on, smiling. âTom and Dickie complain that she looked straight through them.â
âStill uninterested in gentlemen.â Gamadge also smiled. âI mean that she represents something dangerous; something crooked; somethingâwell, let us not be melodramatic, but shall I call it something evil? Iâm afraid your husband is too generous in his estimate of her. She has studied a part, and is playing it very well.â
âI really think I must see her, after all. She must be very clever. Imagine going through all that, day after day, without breaking down! But then I speak as one who cannot act off the stage, Mr. Gamadge. I never could.â
Gamadge, who was convinced that Mrs. Morton never stopped acting unless she was sound asleep, said âIt may be possible to frighten her away.â
âYou wonât do that,â exclaimed Dick Vauregard. âSheâs as hard as nails.â
Mrs. Morton gave her famous chromatic laugh. âYou think so because she didnât respond to your blandishments, Dickie. Tom finds her more sympathetic.â She patted her husbandâs hand, and went on, with a fond look at him: âTom is always for the underdog, Mr. Gamadge. He thinks the girl is a sort of victim. I donât knowâ¦Uncle must be protected, whoever she is. Miss Smith might run off with the Georgian silver.â
âTom wonât love you, if you talk like that, Aunt Angie,â said young Vauregard.
âJust try to forget about me and my emotions,â said Duncannon, in his weariest drawl. âAngela, you must see for yourself. I donât believe thereâs an ounce of malice in her. Gamadge is looking for a plot, so of course he finds one. The trouble is, your uncle is mildly insane.â
âNonsense, Tommy! Uncle isnât mad. What do you think, Mr. Gamadge?â
âFar from it. He thinks he has weighed the evidence and come to a logical conclusion. Unless we can show him definitely that itâs false evidence, he wonât be amenable to reason.â
âBut can we show him that?â
âI think we probably can, if we try. Tell me, Mrs. Morton; has he made a will, and do you know the terms of it?â
âHe made one in 1920, just after Mother diedâshe was his only sister. It was a nice will, but a good deal of money went toward keeping up the old house as a museumâin
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