guarantees.â
Parker and me in jailâDetective Castillo could call it a âjuvenile correctional facility,â but everyone knew that was just another word for jailâwas not what Iâd had in mind when Iâd come back to LA. Weâd have records for life, records that would make it hard to get jobs or credit, things we would need if we were going to live straight.
âI canât risk it,â I finally said.
âGrace . . . Iâm worried about you. A young girl on her own isnât a good thing in this world.â
I looked at my phone. Iâd been on the line for almost three minutes. âIâve been alone a long time,â I said, preparing to disconnect the call. âI just didnât know it.â
Eleven
The next afternoon, I was back on the bus to Playa Hermosa. Iâd spent the night before counting my money and rehashing the conversation with Detective Castillo, which led me to the same inevitable conclusion: I was at a dead end.
I had no idea how to use the little information I had to help Parker, but I couldnât keep blowing a hundred and twenty dollars a day on a hotel. I toyed briefly with the idea of taking to the streets, sleeping outside. It was warm enough. But then I realized how easy it would be for the cops to pick me upâor for something even worse to happen to meâwhile I was asleep on a park bench. The thought of approaching Selena, of facing her after what Iâd done, made me feel like screaming inside, but I was out of options. As much as I hated to admit it, I needed help.
The sun had broken through the marine layer when I gotoff at the Town Center and began walking up the winding hills toward Selenaâs house. The air was moister and heavier than usual, and I was grateful for the canopy of trees that offered me shade every few feet.
I had turned the corner onto Selenaâs street and was heading for my hiding place under the arbor when I spotted a peacock standing in the middle of the road. It was so still it could have been fake. A moment later, it blinked, its eyes never leaving my face.
I slowed down, totally exposed, the cover of the arbor forgotten as I stared at the bird. Iâd forgotten how magnificent they were up close. Pictures never really did them justice. On paper they were just two-dimensional objects that hardly seemed real. But in real life their plumage was enormous, the green and blue tail feathers vibrant and iridescent, standing a good two feet above their regal heads or dragging four feet or more behind them. Their eyes were deep brown, wise and knowing, and they never seemed in a hurry to get anywhere, even when the cars on the peninsula honked and people screamed out their windows at them to move.
âHello,â I said softly. I couldnât shake the feeling that it was the same bird that had wandered Camino Jardin in front of the house weâd rented while working the Fairchild con. It didnât make senseâCamino Jardin was at least a mile farther up the peninsulaâbut I felt a strange kind of kinship with the animal, set loose in a foreign land and forced to make its way around people who didnât want it there,because it had nowhere else to go.
The sound of my voice seemed to waken it from its reverie, and it started to move, strolling calmly across the street and disappearing around the corner like it knew exactly where it was going.
I stared after it, feeling something tug at the hollow place in my chest. Then a car backed out of one of the driveways, and I hurried forward, head down, making my way to the arbor that had shielded me on my last failed trip to see Selena.
I glanced down at my phone, trying to look busy as the car continued down the road. When it was out of sight, I tucked myself back into the arbor and took stock of the situation on Selenaâs street.
The house I was standing in front of looked as empty as it had the first time Iâd been there.