Free Crashed by Timothy Hallinan Page B

looked at the TV. “Does that thing work?”
    “I have no idea.”
    “You ain’t
never
turned it on?”
    “To tell you the truth,” I said, “it never occurs to me.”
    “You’re missing a lot.”
    “It keeps me up nights.”
    “Something wrong with you. Does this place get The
TV Channel
?” He got up, grabbed the remote and pointed it at the television.
    “I don’t know. I suppose it gets a bunch of them.”
    “No, no. The
TV Channel
. It shows, it shows …” He was punching buttons on the remote, flipping past earnest newsreaders with neon makeup on their faces; the newest retro-hip-inverse-ironic cartoon series; a bright orange Bob Barker, undoubtedly the oldest life form on the planet; and some just-possibly-not-entirely-naturally-well-endowed young women on a beach, empowering the hell out of themselves by wearing red bikinis. Then Louie stopped, frozen into immobility, the remote pointed like a magic wand at a completely unironic living room from the 1990s: couch, tables, bay window, stairs to the second story in the background, a room like a million I burglarized back then, when the words “twentieth century” sounded current. Everything on the screen, from the furniture to the lighting, looked cheap and slapped together in that way that—even to a non-TV watcher like me—says “sitcom.” And nothing about that impression was contradicted by the room’s sole inhabitant:a slender middle-age man who was standing next to the coffee table with a dinner platter glued to each hand. He was trying a bit over-desperately to get them off, and the electronically enhanced audience was finding it mechanically hilarious.
    “This is the one about the cheese,” Louie said, sitting on the end of the bed. “Watch.”
    “The one about the—”
    “Cheese,” Louie snapped. “Forget it, it doesn’t matter.
Here’s
what matters.”
    The director cut to a door stage right that opened about six inches, and a girl of eleven or twelve peered apprehensively into the room. Light brown hair above uptilted eyes with lots of intelligence in them. The word that came to mind was
elfin
. She registered the man with the platters on his hands, and her shoulders came up to her ears and she squeezed her eyes closed, and with those two simple movements she somehow conjured up someone whose deepest wish was to shiver herself into molecules and disappear forever from the face of the earth.
    The laughter this time didn’t sound enhanced.
    “She’s good,” I said.
    “She’s great,” Louie said. “
That’s
Thistle Downing.”
    On the screen, the man with the platters stuck to his hands caught sight of the girl behind the door and waved her angrily into the room, the platters making glittering arcs through the air. She came in, but walking as though she was heading into a ninety-mile an hour wind. It seemed to take every muscle in her body to travel four steps. I could almost see her hair blowing behind her.
    “How does she do that?” I asked.
    “She did that or better every week,” Louie said, without taking his eyes from the screen, “for eight years.”
    The man was shouting accusations and waving his arms. The words seemed to have actual weight as they struck the kid called Thistle, and automatically, in self-defense, she brought her handsup, palms out. Some primitive special effect created a current of blue ectoplasm or something from her hands to the platters, and suddenly they were piled high with cubes of cheese.
    People laughed like God had just stepped on a banana peel.
    The doorbell in the TV living room rang. Thistle and the man both looked at the door. The man’s panic was minimum-wage acting, but Thistle’s went all the way to her socks.
    “See,” Louie said, completely absorbed, “she can’t control her powers yet.”
    “Her powers?” I said, sitting next to him and leaning toward the screen. “That’s her father? The geeky guy?”
    “Yeah. Like the third actor to play the part. Nobody