told you to make yourself at home, is that it?â
I didnât know why I felt so guilty all of a sudden, especially after what Iâd just seen him do. âShe was nice to me,â I said. âI didnât do anything wrong.â
The man gave me a look I couldnât read. âNever said you did.â He mixed the ingredients together in a casserole dish, sprinkled the top with shredded cheddar, and slid it into the oven.
The clock on the mantel chimed six as Sully brought his pack in from the living room, propped it against the refrigerator, and drew a long ropelike object out of the opening. At first I did think it was a rope, but then he pulled out the thick, silvery knot of Mrs. Harmonâs chignon and laid it out on the calico place mat with a sort of reverence, and I realized what the ropelike thing was made of. There were all sorts of hair woven into it, red and brown and black and silver, curly and kinky and slippery-straight. I never knew something could be so grotesque and so beautiful at the same time.
Sully laid the end of the rope across his knee, gently pulling a lock of Mrs. Harmonâs hair out of the chignon and into two, then four, even pieces. âBeen workinâ on it for years,â he said, glancing up as he began to weave in the first piece. âThat brimstone look of yours ainât so pretty. Hereâs the first thing you need to know about old Sully: I ainât gonna change my ways to suit ya.â He shrugged. âAnyhow, itâs kinda poetical, when you think about it.â
âWhat do you mean?â
âMakinâ somethinâ useful, somethinâ lovely, out of somethinâ thatâs done and gone. A hundred years ago they used to make bracelets outta corpsesâ hair, dâyou ever hear that?â
I shook my head.
âA widow wore her husbandâs hair all the rest of her days.â The coil twitched as Sully began to weave in the pieces. âSomethinâ lovely,â he said again, softly, as if to himself. âSomethinâ to remember him by.â His hands were rough and gnarled, but when he worked in the locks he did it deftly. âGotta keep my hands busy,â he said. ââIdle hands do the devilâs work,â thatâs what the preacher used to tell us in Sunday school when I was a boy. And anyhow, itâs better than whittlinâ out the same damn chess pieces over and over like some folks do.â
âIt would be all right,â I ventured, âif you played chess.â
He scoffed. âWhat am I gonna do, play against myself?â
For a minute or two I watched him weave the silver pieces into the strands that were already there. âWhat are you going to do with it when itâs finished?â
He shrugged. âWho says itâll ever be finished?â
âBut I donât see what the point of it is, if youâre not going to finish it.â
âCanât you say the same for livinâ? Just goes on and on, and no reason for it.â
I couldnât argue with that. Suddenly the days and weeks and months stretching out before me looked even bleaker than they had yesterday or the day before.
âHere,â Sully said, pulling another few feet of rope out of his sack and offering it to me. âGive it a good tug. Plenty strong enough to hang a man.â
I hesitated, partly because I didnât really want to touch it but also because I was afraid Iâd tear it in half and heâd be angry with me. âGo on,â he said. âIt wonât break.â
So I grabbed it with both fists and pulled, but it was as heâd said. I bet I could have climbed it to the ceiling like that rope we had in elementary school gym class. âHow did you learn to do that?â
âMy daddy was a rope-maker.â He paused, then added quietly, âAmong other things.â He flicked his wrist, and the rope of hair leapt and twitched like a