was a very pretty dark-haired young woman whose function there I couldn’t at first ascertain. Later in the morning I realized that she was a documents clerk assisting the chief judge, but when I first noticed her so handsomely composed in the middle of everything, I could think only of those Jewish women whom Demjanjuk was accused of brutalizing with a sword and a whip and a club in the narrow pathway, the “tube,” where those off the cattle cars were corralled together by him before he drove them through the gas-chamber door. She was a young woman of a physical type he must have encountered more than once in the tube and over whom his power there had been absolute. Now, whenever he looked toward the judges or toward the witness stand across from the defense attorney’s table, she had to be somewhere in his field of vision, head unshaven, fully clothed, self-assured and unafraid, an attractive young Jewish woman beyond his reach in every way. Before I understood what her job must be, I even wondered if that couldn’t have been
why
she’d been situated exactly where she was. I wondered if in his dreams back at the jail he ever saw in that documents clerk the ghost of the young women he had destroyed, if in his dreams there was ever a flicker of remorse, or if, as was more likely, in the dreams as in the waking thoughts he only wished that she had been there in the tube at Treblinka too—she, the three judges, his courtroom guards, the prosecuting attorneys, the translators, and, not least of all, those who came to the courtroom every day to stare as I was staring.
His trial was really no surprise to him, this propaganda trial trumped up by the Jews, this unjust, lying farce of a trial to which he had been dragged in irons from his loving family and his peaceful home. All the way back there in the tube, he’d known the trouble these people could cook up for a simple boy like himself. He knew their hatred of Ukrainians, had known about it all his life. Who had made the famine when he was a child? Who had transformed his country into a cemetery for seven million human beings? Who had turned his neighbors into subhuman creatures devouring mice and rats? As a mere boy he’d seen it all, in his village, in his
family—
mothers who ate the gizzards of the family pet cat, little sisters whohad given themselves for a rotten potato, fathers who resorted to cannibalism. The crying. The shrieking. The agony. And everywhere the dead. Seven million of them! Seven million Ukrainian dead! And because of whom? Caused by whom!
Remorse? Go fuck your remorse!
Or did I have Demjanjuk wrong? While he chewed his cud and sipped his water and yawned through the trial’s tedious stretches, perhaps his mind was empty of everything but the words “It wasn’t me”—needed nothing more than that to keep the past at bay. “I hate no one. Not even you filthy Jews who want me dead. I am an innocent man. It was somebody else.”
And
was
it somebody else?
So there he was—or wasn’t. I stared and I stared, wondering if, despite all I’d read of the evidence against him, his claim that he was innocent was true; if the survivors who’d identified him could all be lying or wrong; if the identity card of the uniformed concentration-camp guard, bearing his Cyrillic signature and the photo of his youthful face, could indeed be a forgery; if the contradictory stories of his whereabouts as a German POW during the months when the prosecution’s evidence placed him at Treblinka, muddled stories that he’d changed at virtually every inquiry before and since he’d received the original indictment, added up nonetheless to a believable alibi; if the demonstrably incriminating lies with which, since 1945, he had been answering the questions of refugee agencies and immigration authorities, lies that had led to his denaturalization and deportation from the United States, somehow pointed not to his guilt but to his innocence.
But the tattoo in his