Free The Dead Play On by Heather Graham

being his champion, Tyler gave us what we needed to get started. No one can promise they’ll solve every crime, but we
will
promise you this—we won’t stop.”
    “Good enough for me. Tyler, you know how we feel about you. And Michael, Danni, you call on us or ask us anything you need or want, any time, day or night,” Woodrow said. “You got our number? Or numbers? Arnie made us buy cell phones. Said he had to get us into the twentieth century, even if he couldn’t quite drag us into the twenty-first.”
    “We’ll put them in our phones right now,” Danni said.
    They took a minute to exchange numbers. Amy still had trouble saving a number to her own phone once someone had called her, but in the end they prevailed.
    Once that was accomplished, Quinn told them, “We could use a list of the people he was hanging with the most since he came home.”
    “Us, of course. And the rest of the family. Tyler there. The bands he played with,” Woodrow said. “I can tell you some of the names.”
    “I know most of them,” Tyler said. “Like I told you, he was sitting in with my group, the B-Street Bombers, the night he died.”
    “At La Porte Rouge?” Danni asked.
    “Yes,” Tyler said.
    As they spoke, Amy was scribbling on a pad she took from the phone stand by the door. Now she handed the sheet to Danni. “Those are the people he talked about most—the boys in Tyler’s band, a couple of others. I’ll keep thinking and make a list of anyone else,” she promised.
    Tyler glanced over at the sheet. “Yep, that’s them. Gus Epstein, lead guitar. Shamus Ahearn, drums and sometimes bass. Blake Templeton, keyboard and sometimes rhythm guitar. We have a steady gig at La Porte Rouge. The bartender runs the place, and he likes us. A couple of guys pinch-hit sometimes, like Arnie was pitch-hitting for me that night. The bartender, Eric—Eric Lyons—sits in sometimes. And one of the waitresses—Jessica Tate—sings with us when we can get her to come up and it isn’t too busy. We work a heavy schedule, but we love what we do, and in this city you can be replaced pretty much at the drop of a dime, so we’re glad for the gig.”
    “Want to go barhopping?” Quinn asked Danni. “Or, should I say, want to hop into one bar?”
    “Seems like a good idea,” Danni said.
    They rose, but Amy stopped them as they turned toward the door. “Are you sure I can’t get you anything first? We’ve got some leftover shrimp and grits, and that’s a dish that gets better warmed up. Or a cola or something?”
    “No, no, honestly, sounds wonderful, but we just ate,” Danni assured her.
    “Well, then, you just wait a minute. No one leaves my house without a little bit of hospitality,” Amy said.
    She disappeared into the kitchen for a brief moment and came back with a small white cardboard box.
    “For when you’re hungry or need a little treat,” she told Danni.
    Danni thanked her and they left, promising to keep in touch.
    She drove back to Royal Street, and as they went, Tyler talked to them about his bandmates.
    “Shamus, the lucky bastard, is right out of County Cork. I always thought that was cool, but he thinks growing up here would have been the coolest thing in the world. Goes to show you—the grass always does look
greener. Gus was born in Miami Beach but his mom was from Kenner, Louisiana, so he’s been coming up to New Orleans since he was a kid. Blake is from Lafayette, about two and a half hours from here. I met Gus at an open session one night, and the two of us met Shamus at—go figure—Pat O’Brien’s. I knew Blake from a school competition years ago, and I’d heard he was moving here, so I gave him a call. That was years ago now. We’ve had the steady gig at La Porte Rouge for about two years.” He was quiet for a minute. “You know, if one of these guys was a crazed murderer, shouldn’t I have seen the signs somewhere along the line?”
    “Maybe not,” Quinn said. “Lots of killers come off