The Blackhouse
chair. It was pushed against the wall opposite the bookshelves. There was a big, comfortable armchair where he sat to read, a coffee table beside it with an Anglepoise lamp. If he cared to look up, he would have a view out of the window to the sea. Artair and I were tutored at a fold-up card table that Mr Macinnes placed in the middle of the room. We sat in hard chairs facing away from the window, in case we would be distracted by the world outside. Sometimes he would take us together, usually for maths. But more often he took us separately. Boys together have a habit of encouraging each other to a failure in concentration.
    I don’t remember much, now, of those long tutoring sessions through dark winter nights and early spring light, except that I didn’t enjoy them. Funny, though, the things I do remember. Like the chocolate-brown colour of the felt-topped card table, and the pale, sharply defined coffee stain that marred it and looked like a map of Cyprus. I remember an old brown water stain on the ceiling in the corner of the room that made me think of a gannet in flight, and the crack in the plaster which transected it, running at an angle through the cornice before disappearing behind cream-coloured anaglypta wallpaper. I remember, too, a crack in a window pane, seen during stolen glances to that other world out there, and the smell of stale pipe smoke that always seemed to hang about Artair’s dad. Although I don’t ever remember seeing him smoking.
    Mr Macinnes was a tall, thin man, a good ten years older than my father had been. I suppose the seventies were the decade when he probably finally admitted to himself that he was no longer a young man. But he clung on to a hairstyle well into the eighties that was longer than fashionable then. It’s odd how people can get locked into a kind of timewarp. There’s a time in their lives that defines them, and they hang on to it for all the subsequent decades; the same hair, the same style of clothes, the same music, even though the world around them has changed beyond recognition. My aunt was locked in the sixties. Teak furniture, purple carpets, orange paint, The Beatles. Mr Macinnes listened to The Eagles. I recall tequila sunrises and new kids in town, and life in the fast lane.
    But he wasn’t some soft academic. Mr Macinnes was a fit man. He liked to sail, and he was a regular on the annual trip to An Sgeir to harvest the guga. He was irritated with me that night, because my concentration was poor. Artair had been dying to tell me something when I arrived, but his dad had hustled me into the backroom and told Artair to keep his peace. Whatever it was could wait. But I could feel Artair’s impatience from the other side of the door, and eventually Mr Macinnes realized he was fighting a losing battle and told me to go.
    Artair couldn’t wait to get me out of the house, and we hurried up the front path to the gate in the dark. It was a freezing cold night, the sky as black as you might ever see it, and inset with stars that seemed fixed like jewels. There was no wind, and a thick white frost was settling already, like dust, across the moor, slow sparkling as the moon lifted itself into its autumn elevation, casting its wonderful light on a rare, tranquil sea. There was a high-pressure zone sitting right over the Hebrides, and they said it was going to be there for a few days. Ideal weather for bonfire night. I could hear Artair’s excitement wheezing in his breath. He had developed into a big, strong lad, taller than me, but cursed still with the asthma that threatened at times to shut down his airways. He took a long pull on his puffer. ‘The Swainbost boys have got hold of an old tractor tyre. It’s more than six foot in diameter!’
    ‘Shit!’ I said. A tyre like that would burn better than anything we had. We had collected more than a dozen, but they were just car tyres, and bike tyres, and inner tubes. And no doubt the Swainbost boys would already have

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