Free The Pearl Harbor Murders by Max Allan Collins

about as red as the bloody hand. "I loved her....1 loved her more than life!"
    "More than her life?"
    "I didn't kill her!" Though he'd stopped crying, he nonetheless seemed on the verge of hysteria. "I'd sooner kill myself!"
    O. B. grunted a humorless laugh. "Maybe you'd better save it for the cops."
    But Kamana wanted to talk, and the words tumbled out of him—how two years ago Pearl Harada, who had been visiting relatives in Honolulu, auditioned for his band, on an impulse. When Kamana told her she had the job, Pearl had moved from San Francisco to Oahu.
    "I knew she was something special.... It was more than just her looks, or that nice voice of hers... so much like Dinah Shore ... she had star quality. She could have gone places. We might have gone places!"
    Hully knew what the man was doing: Kamana was talking about her because it was a way of keeping her alive. Though it seemed obvious he'd killed her, this man just as obviously was deeply sorry she was dead.
    O. B. didn't seem terribly moved by any of this. "So you might have 'gone places' ... and that makes you innocent of her murder? As in, why would you kill your meal ticket?"
    Kamana was shaking his head, and he seemed desperate to be believed. "She was more than that to me ... so much more. I didn't date her at first... I tried to keep things... businesslike. But we hit it off so well, musically, it was just natural for us to get together, in other ways.... I wanted her to marry me. But she wouldn't. She said her career came first, and she didn't want to settle down anyway ... and she dated a lot of guys, mostly servicemen who followed the band. Then this Fielder came along ... and she got serious with him ... said she was going to marry him ... quit the band... quit show business ... quit me."
    Hully asked, casually, "So you argued? Tonight?"
    "We've argued several times about it," Kamana said. Talking seemed to calm him. "But not tonight. I... I accepted it and... well, I was hoping it would just... pass. Anyway, I figured in the long run it was just a
    pipe dream....That Fielder kid, his colonel papa wouldn't put up with his boy marrying a Jap. I stopped arguing with her—maybe she would come to her senses, maybe she wouldn't, but that Fielder kid would ... or at least his father would make him come to his senses."
    "So," Hully said, "you were just... chatting tonight, down on the beach."
    Kamana shook his head, emphatically. "I wasn't talking to her on the beach ... not at all, not tonight! I heard arguing ... my bungalow's near the beach, you know ... and recognized her voice ... heard a man's voice, but it was soft, I didn't recognize it. Then I... I heard her scream, and I ran out and down there... and..."
    He began to weep again, instinctively covering his face with his hands—smearing the blood all over himself. Hully glanced at O. B., who looked back with wide eyes.
     
    "... She was dead....My lovely Pearl was dead.... Somebody killed her....All crushed in ... I tried to help her, and got her blood on me...."
    His pockmarked face was streaked with blood, now—he looked like an Apache with war paint.
    A knock at the door made them jump, even O. B., who said to Hully, "Get that."
    The man Hully let in was small and swarthy, a hawk-faced obvious plainclothes cop in a snap-brim fedora, rumpled gray suit and red tie. His eyes were small and dark and needle-sharp.
    "Hulbert Burroughs," Hully said, extending his hand to the little detective.
    "John Jardine," he replied, and shook Hully's hand, a strong grip.
    Jardine and O. B. shook hands, as well. The elder Burroughs had already filled the detective in on many of the particulars, over the phone.
    "How did you get blood on your face, Mr. Kamana?" Jardine asked bluntly, standing uncomfortably close to the seated musician.
    "It isn't on my face," Kamana said, stupidly, holding up his hand, where the blood was just a stain, now.
    "It's on your face."
    Kamana's grief had subsided and fear was moving in; with