dangerous of ages, where strength, skill, and confidence met naivete and idealism; when young men skilled at the crafts of violence could be manipulated into employing those skills with brutal efficiency—and without questions.
The assassin stared at her for a moment, eyes wide, his face already pale. His sword arm twitched, and he lost his grip on the weapon, an odd blade slightly curved rather than the more typical gladius . He pushed at the tines of the pitchfork, but his fingers had no strength in them. One of the steel tines had severed a blood vessel in his belly, she judged, some part of her mind operating with clinical detachment. It was the only thing that could have incapacitated him so quickly. Otherwise, he would have been able to strike her again with the sword, even though wounded.
But the rest of her felt like wailing in sheer anguish. Isana's link to Rill was too open and too strong to set aside easily. All of what her attacker felt flowed into her thoughts and perceptions with a simple, agonizing clarity. She felt him, the screaming pain of his injuries, the sense of panic and despair as he realized what had happened, and that he had no way to avoid his fate.
She felt him as his fear and pain faded to a sense of dim, puzzled surprise, quiet regret, and a vast and heavy weariness. Panicked, she withdrew her senses from the young man, her thoughts screaming at Rill to break the connection with the young killer. She all but sobbed with relief as the sensations of his emotion faded from her own, and she looked him in the face.
The young man looked up at her for a moment. He had eyes the color of walnuts and a small scar over his left eyebrow.
His body sagged, the weight pulling the tines of the pitchfork free of the door. Then his head lolled forward and a little to one side. His eyes went still. Isana shivered and watched him die. When he had, she pulled on the pitchfork. It wouldn't come out, and she had to brace one foot against the young man's chest to get enough leverage to withdraw the pitchfork. When it finally came free, lazy streams of blood coursed down from the holes in the corpse's belly. The corpse fell to its side, and its glazed eyes stared up at Isana.
She had killed the young man. She had killed him. He was no older than Tavi.
It was too much. She fell to her knees, and her belly lost control of its contents. She found herself staring down at the floor of the stables, shuddering, while waves of disgust and loathing and fear washed over her.
Footsteps entered the stables, but they meant nothing to her. Isana lowered herself to her side once her stomach had ceased its rebellion. She lay there with her eyes closed, while holders entered the stables, sure of only one thing: If she hadn't killed the man, he would certainly have killed her.
Someone with the resources to hire a professional killer wanted her dead.
She closed her eyes, too weary to do more, and was content to ignore the others around her and let oblivion ease her anguish and terror.
Chapter 6
"How long has she been down?" rumbled a deep, male voice. Her brother, Isana thought. Bernard.
The next voice was old and quavered slightly. Isana recognized old beldame Bitte's quiet confidence. "Since just before midday."
"She looks pale," said another male voice, this one higher, less resonant. "Are you sure she's all right?"
Bernard answered, "As sure as I can be, Aric. There are no wounds on her." He let out a slow breath. "It looks like she might have collapsed, pushing her crafting too hard. I've seen her work herself into the ground before."
"It might also be a reaction to the struggle," Amara said. "Shock."
Bernard grunted agreement. "Green legionares do that after their first battle, sometimes. Great furies know it's a terrible thing to kill a man." Isana felt her brother's broad, warm hand on her hair. He smelled like sweating horses, leather, and road dust, and his voice was quietly anguished.
Mary Crockett, Madelyn Rosenberg