back.
Why hadn't someone shot at him and Tappy? There had to be weapons, and the two of them had been an easy target in that tunnel. Someone could have fired from cover above the rim, too, before they reached the trees.
The answer had to be that this was a capture mission, not a kill mission. The way the ship had come down, enclosing rather than flattening, suggested the same. This was a no-squish-bug effort. Great-- it gave the bugs a real advantage. But why? What was so precious about these bugs to make them worth this phenomenal endeavor?
"Tappy," he gasped as they ran. "We seem to be getting away, but we won't stay clear long if we don't learn more! Unless you know what's going on here!"
Her face turned to him, her head shaking yes, then no. That meant that she understood some, but not enough.
"Then let's get some information!" he said. He was not what he thought of as a bold man, but the past few days had shaken him loose from every preconception he could think of.
Tappy didn't object, so he set up his trap. "Wait here," he told her. He turned, on the radiator and dissolved a tunnel through the thickest part of the forest, where the trees were small and set closely. He followed the developing opening, running behind the cone. The smell of peppermint came from the cut plants. He hoped he wasn't extirpating some animals along with the foliage; he hadn't thought of that in time. Then he curved it until the tunnel end was just out of sight of its beginning. He turned the radiator off and ran back to Tappy. "Now we hide!" he gasped, drawing her to the side.
They found a place behind a thicket of young orange-barked trees and ducked down, watching the tunnel. The normally noisy animals were quiet now; he hoped that didn't give the two of them away.
Soon enough a man came running, spied the tunnel, and charged into it. He was carrying a weapon of some sort, which startled Jack: what was the point, if it was not to be fired at the fugitives?
But he had no time to worry about that. He stepped out into the tunnel, pointing the radiator. "Hey, Joe!" he called.
The man stopped and looked back, chagrined. He started to bring his weapon to bear.
"Nuh-uh, Joe!" Jack said, putting a finger on a button of the radiator. "Drop it!"
The man let the weapon fall to the ground. Jack strode toward him, keeping the radiator aimed. He had never intended to fire it at the man, but he was pleased with the success of his bluff. "Now talk, Joe: what's this all about? Why are you after us?"
The man's mouth tightened. He seemed to understand Jack, but be refused to answer, and the threat of the radiator was no longer persuasive. Strange. And awkward, because the man had called his bluff, and he couldn't do anything about it. It was a mistake, ultimately, to bluff, he realized, because once it was proved empty, all was lost. It was necessary either to be able to follow through on a threat or to make the bluff so bold that the other did not dare call it.
He couldn't carry through. He just couldn't kill a man who wasn't attacking him. He probably couldn't kill even if the man did attack him. He was a sensitive artist, not an insensitive goon. Only if Tappy were threatened would he --
Jack had an inspiration. He pointed the radiator at Tappy.
"Nao!" the man cried, horrified.
So he had guessed right! It was Tappy they wanted to capture. He had suspected they didn't much care about Jack himself; he was nobody, just an ignorant person who had happened to get involved with her. Tappy had known or remembered how to reach this world, so she must have been here before. The aliens must have been waiting for her-- and they wanted her alive.
Larva-Chrysalis-Imago. There was something about Tappy that made her valuable-- so valuable that this monstrous flying cage had been sent to catch her. But she had been given a weapon, and taught its use, so that she remembered once the situation required it. That knowledge must have been