Free What a Carve Up! by Jonathan Coe

papers and magazines and videotapes rather than the few well-chosen ornaments which might have given the room form and personality; the fact that the bookshelves, which I had put up myself, also many years ago, had been largely cleared of books (now jumbled into a tower of cardboard boxes in the spare bedroom) and were scattered, instead, with still more videotapes, piled both horizontally and vertically, some pre-recorded and some filled with scraps of films and programmes taped off the television. It was a room, I thought, which presented an aspect not dissimilar to the face reflected in the kitchen window: it had the potential to be welcoming but for the moment seemed to have transformed itself, through a mixture of carelessness and disuse, into something ungainly and almost eerily neutral.
    The first thing Fiona said about the flat, after we had been talking a little while, was that she felt it needed some pot plants. She sang the praises of cyclamen and hibiscus. She waxed lyrical about the merits of cineraria and asparagus fern. She had gone crazy on cineraria recently, she said. It would never have occurred to me to buy myself a pot plant and I tried to imagine what it would be like to share this room with a living, growing organism as well as my stale litter of films and magazines. I poured myself another beer and fetched her some more orange juice and this time she asked me to put some vodka in it. I could tell she was a warm and friendly woman because when I came to sit next to her on the sofa in order to fill out her sponsorship form, she was quite happy to let our legs come into occasional contact: there was no shrinking away, and as I wrote down the amount and signed my name I could feel our thighs touching, and I wondered how this had happened, if in fact it was Fiona who had edged closer to me. And soon it became clear that she was in no great hurry to leave, that she was for some reason enjoying talking to me – I who had so little to give in return – and I could only conclude from this that she must in some brave, quiet, reckless way have been a little desperate for companionship, because although I was a poor companion that evening, and although my behaviour must certainly have frightened her to start with, still she persisted, and grew more and more relaxed, and more and more talkative. I can’t remember how long she stayed, or what it was we talked about, but I can remember enjoying it, at first, this unaccustomed business of talking, and it must have been quite a while, several drinks later, before I began to feel tired again and uneasy. I don’t know why this should have happened, because I was still enjoying myself, but I had this sudden and intense craving to be on my own. Fiona carried on talking, I may even have been answering back, but my attention had started to wander and she only regained it by saying something which surprised me very much.
    ‘You can’t switch me off,’ she said.
    ‘Pardon?’
    ‘You can’t switch me off.’
    She nodded at my hands. I had gone back to the armchair opposite her and without realizing it I had picked up the remote control for the video. It was pointed in her direction and my finger had strayed to the pause button.
    ‘I think I’d better go,’ she said, and stood up.
    As she made for the door, sponsorship form in hand, I made a sudden bid to save the situation by blurting out: ‘I think I’ll get myself one of those plants. It’ll make quite a difference.’
    She turned. ‘There’s a little nursery on my way home from work,’ she said softly. ‘I’ll get one for you if you like. I’ll bring it round tomorrow.’
    ‘Thanks. That’s very kind.’
    And then she was gone. For a few seconds after the door had closed behind her I experienced a peculiar sensation: a feeling of loneliness. But this loneliness was mingled with relief and before long the relief had taken over, swamping me and calming me and guiding me gently back to the armchair and to