The Whisperers
touch him for fear that the voices might somehow leap from the handset into his head and take up residence there, driving him to madness, or closer to it than he already was. He listened for a time, his mouth trembling, his tears still falling, before he dialed a number. The phone at the other end rang four times, and then a machine clicked on. It was always a machine. He tried to calm himself as best he could, then began to speak.
    ‘There’s something wrong,’ he said. ‘You need to get up here and take it all away. You tell everyone that I’m out. Just pay me what I’m owed. You can keep the rest.’
    He hung up the phone, put on an overcoat and a pair of sneakers, and grabbed a flashlight. After a moment’s hesitation, he reached beneath his bed and found the green M12 universal military holster. He removed the Browning, slipped it into his overcoat pocket, picked up the baseball bat for added peace of mind and left the trailer.
    It was a moonless night, heavy with cloud, so that the sky was black and the world seemed very dark to him. The flashlight beam scythed through the darkness as he made his way down to the row of boarded-up rooms, coming at last to number 14. His father returned to mind, and he saw himself as a boy, standing with the old man outside this very same room, asking him why there was no number 13, why the rooms went straight from 12 to 14. His father had explained to him that people were superstitious. They didn’t want to stay in room 13, or on the thirteenth floor of one of those big city hotels, and changes had to be made to set their minds at rest. So it was that 13 became 14, and everybody slept a little better as a result, even if, in truth, 14 was still 13, didn’t matter what way you chose to hide it. Big city hotels still had a thirteenth floor, and small motels like theirs still had a room 13. In fact, there were folk who wouldn’t stay in room 14 for precisely that reason but, generally, most guests didn’t notice.
    Now he was alone outside 14. There was no sound from inside, but he could sense them. They were waiting for him to act, waiting for him to do what they wanted him to do, what they had been demanding over the radio, and the television, and in late-night calls from a phone that shouldn’t have worked but did: to be released.
    The bolts on the door were still in place, the locks undamaged, but when he checked the screws that he had drilled into the frame through the wood, he found that three of them were loose, and one had fallen out entirely.
    ‘No,’ he said. ‘That’s not possible.’ He picked up the screw from the ground and examined the head. It was intact and unmarked. He supposed that it was possible someone had come along while he was away from his trailer and used a drill to unscrew it, but why stop at one, and why leave some of the others only partially removed? It made no sense.
    Unless . . .
    Unless they had done it from inside. But how?
    I should open it, he thought. I should open it and make sure. But he didn’t want to open it. He was afraid of what he might see, and of what he might be forced to do, for he knew that if he only ever performed one more good act in his life, it would be to ignore those voices. He could almost hear them in there, calling him, taunting him. . . .
    He returned to his trailer, found his big tool kit, and returned to 14. As he began to fit the bit into the drill, his attention was distracted by the sound of metal on wood. He put the drill down, and directed the flashlight beam at the door.
    One of the remaining screws was turning gently, removing itself from the wood. While he watched, its length was at last fully exposed, and the screw fell to the ground.
    Screws weren’t going to do it, not anymore. He put the drill aside and took out the nail gun. Breathing heavily, he approached the door, set the muzzle of the gun against the wood, and pulled the trigger. The force of the recoil jarred him slightly, but when he

Similar Books

Rich Rewards

Alice Adams

Opening My Heart

Tilda Shalof

The Sound of Whales

Kerr Thomson

City of Lost Dreams

Magnus Flyte

Bad Samaritan

Aimée Thurlo

Good Day to Die

Stephen Solomita