must accept it, and choose. Four minutes, thirty seconds.’
Webber thumbed back the hammer on the revolver.
‘I’m telling you for the last time—’
‘Do you think that you’re the first man to have been presented with this choice, Mr. Webber? Do you honestly believe that I haven’t done this before? Ultimately, you must choose: your life, or the life of your daughter. Which do you value more?’
Herod waited. He glanced at his watch, counting the seconds.
‘I wanted to see her grow up. I wanted to see her marry, and become a mother. I wanted to be a grandfather. Do you understand?’
‘I understand. Her life will still be hers to live, and her children will lay flowers for you. Four minutes.’
‘Don’t you have anyone whom you love?’
‘No, I do not.’
The gun wavered in Webber’s hand as he realized the futility of his arguments.
‘How do I know that you’re not lying?’
‘About what? About raping and killing your daughter? Oh, I think you know that I mean what I say.’
‘No. About – about letting her go.’
‘Because I don’t lie. I don’t have to. Others lie. It is for me to present them with the consequences of those lies. For every fault, there must be a reckoning. For every action, there is a reaction. The question is: who do you love more, your daughter, or yourself?’
Herod stood. He had a cell phone in one hand, his wineglass in the other. ‘I’ll give you a private moment,’ he said. ‘Please don’t attempt to use a phone. If you do so, our deal will be off, and I’ll make sure that your daughter is raped to death. Oh, and my associates will also ensure that you don’t live to see the dawn.’
Webber did not try to stop Herod as he stepped slowly from the room. He seemed stunned into immobility.
In the hallway, Herod examined his reflection in a mirror. He straightened his tie, and brushed some lint from his jacket. He loved this old suit. He had worn it on many occasions like this one. He checked his watch a final time. From the kitchen, he discerned words being spoken. He wondered if Webber had been foolish enough to try to make a call, but the tone of voice was wrong. Then he thought that it might be Webber making an act of contrition, or saying some unheard good-bye to his daughter, but as he moved closer he heard Webber’s words.
‘Who are you?’ Webber was asking. ‘Are you the one, the one who’s going to hurt my Suzie? Are you? Are you?’
Herod glanced into the kitchen. Webber was staring at one of the kitchen windows. Herod saw Webber and himself reflected in the glass and, for just a moment, he thought that there might be a third figure visible, too insubstantial, Herod believed, to be someone in the garden looking in, and yet there was nobody else in the kitchen apart from the living, or the soon-to-be dead.
Webber turned to look at Herod. He was weeping.
‘Damn you,’ he said. ‘Damn you to hell.’
He put the gun to his temple and pulled the trigger. The sound of the shot made Herod’s ears ring as it echoed off the tiled walls and floor of the kitchen. Webber fell, and lay bucking by his overturned chair. It was an amateurish way to turn a gun on oneself, Herod mused, but then Webber could hardly have been expected to be a professional in the art of suicide; the nature of the act precluded it. The barrel of the gun had pulled upward with the shot, blowing a chunk out of the top of Webber’s skull, but he had not managed to kill himself. Instead, his eyes were wide and his mouth was opening and closing spasmodically, rather like the final moments of the fish he had left on the slab. In a moment of mercy, Herod took the gun from Webber’s hand and finished the job for him, then drank the last of the wine in his glass and prepared to leave. He paused at the door, and peered back at the kitchen window. Something was wrong. Quickly, he moved to the counter and looked out upon Webber’s neatly tended, and gently illuminated, garden. It was