said.
âIâm sure I can find the kitchen, and I would like to talk with Miss Newman privately.â
âCan he do that?â Ranier demanded of McCarthy.
âWhy not? Iâm not her attorney and youâre not her business manager.â
âYou know what sheâs going to say.â
âI have no idea,â Masuto said. He walked out of the room and through the hallway into what was apparently a butlerâs pantry. A sallow-faced man in his sixties sat there, reading a copy of Sports Illustrated, and he looked at Masuto inquiringly but without speaking.
âSergeant Masuto, Beverly Hills police.â
âIâm Kelly, the chauffeur.â
âYou live here?â
âOver the garage.â
âIâd like you to stay in the house tonight. I want to talk to you later.â
âWhere would I go?â
Masuto went past him and opened a swinging door into the kitchen. It was an old-fashioned kitchen in size, better than twenty feet square, and recently modernized into the glittering perfection that most Beverly Hills homes required of their kitchensâbut with the color scheme, perfection fled. The floors were yellow tile. The refrigerator, stove, and sink were finished in pink, and the walls in tile of mauve and tan. In the center of the room, at a large butcher-block worktable, Beckman sat with three women: the secretary, Elaine Newman; a stout, middle-aged woman whom he introduced as Mrs. Holtz, the cook; and a thin black girl who dabbed at her swollen eyes and who was introduced as Lena Jones, the parlormaid. Beckman himself was finishing a plate of stew and the last of a large mug of beer, and imagining she saw a look of disapproval on Masutoâs face, Mrs. Holtz said, âLet him eat. Better the food shouldnât go to waste. Nobody has any appetite today.â
âYou hungry, Masao?â Beckman asked him.
He shook his head, thinking nevertheless that it was past his dinnertime and that heâd hardly get home much before midnight.
Mrs. Holtz pressed him, and Masuto relented to the extent of a cup of coffee and a slice of pie. Then he asked the maid and the cook to wait in the dining room, telling them that he would like to talk to them later. When they had gone, he said to Beckman, âGet the chauffeurâs full name and phone into L.A.P.D. See if they have any priors on him.â
âHis name is Joseph. Joseph Kelly,â Elaine said. âHe has a record, if thatâs what youâre looking for. But he wouldnât kill Mike. Mikeâs the only one whoâs ever been decent to him. He was just a drifter without a hope in the world when Mike picked him up and gave him a job.â
Masuto nodded at Beckman, who left the room. Sitting opposite the girl, he studied her thoughtfully.
âYouâre a nisei?â
âYes.â
âAnd youâre the cop assigned to this case?â
âYes.â
âThat means you have to find out who killed Mike.â
âI hope to.â
âWell, itâs no big deal. I know who killed Mike.â
âOh? Who?â
âThe Angel.â She said it with loathing.
âInside, you suggested that Ranier killed Mr. Barton.â
âMaybe he did.â
âBoth of them?â
âTheyâre both worthless bloodsuckers.â
âYou hate people.â
âSome people. But I loved Mike. I was the only one around him who did, aside from Mrs. Holtz and Lena and Joe Kelly. All the restââher voice sank to a whimperââoh, my God, itâs like killing a kid, like killing a little boy. Why? Why did they do it?â
Masuto waited until she had regained control of herself, and then he asked her, âWhat about Joe and Della Goldberg? Did they love Mike?â
âI guess so. But after he married Angelââ
âThe relationship cooled?â
âYes.â
âHow long have you worked for Mike