Free Kraken by China Miéville Page B

kitchen and picked up a knife. The faint faint noise continued. He pressed his ear to the door. He unlocked it, watching his own bravery and ninja stealth, bewildered. As he pushed, Billy realised that he should be calling Baron, of course, instead of indulging this incompetent vigilantism. But momentum had him, the door was opening.
    The hallway was empty.
    He peered at his neighbours’ entrances. There were no evidential drafts, no slips of air to insinuate doors quickly closed. No dust dancing. Billy looked at nothing. He stood there for moments, then minutes. He leaned out like a figurehead, to see as far down those corridors as he could, keeping his feet inside his flat. Still there was nothing.
    He did not sleep in his bed that night. He took his duvet to the sofa, closer to the front door, so he could hear. There were no more sounds, but he slept hardly at all.
    I N THE MORNING HE ATE TOAST IN A TOO-SILENT FLAT, WITH MORE silence from outside weighing on the windows. He pulled the curtains apart enough to look at a grubby grey day, at knots of wood and leaves and blown plastic bags, at the unlikely haunt of the squirrel voyeur.
    He was never one with a plethora of friends, but Billy did not often feel lonely, not like this. CN U COME OVER , he texted Leon. STUFF 2 TELL U . PLEASE . He felt he was yanking out of a trap in which Collingswood and Baron had placed him. Brave, rebellious animal. He hoped this escape was not a gnawing off of his own limb.
    When Leon arrived Billy hung out from the doorframe again. “What kind of arsing around is this?” said Leon. “It’s a bloody weird night, I just had about three fights on the way here, and me such a peaceable soul. I brought your mail up. Also wine.” He held out a plastic bag. “Early though it is. What the hell’s going on? To what do I owe …? Jesus, Billy.”
    “Come in.” Billy took the bag and envelopes.
    “As I was saying, to what do I owe two visits in such quick succession?”
    “Have a drink. You aren’t going to believe this.”
    Billy sat opposite Leon and opened his mouth to tell him everything. But could not work out whether to start with the body in the jar, or the police and their strange offer. His tongue flopped over, momentarily meatlike. He swallowed. As if recovering from some dental treatment.
    “You don’t understand,” he told Leon. “I never had a big bust-up with my dad, we just sort of dropped out of touch.” He was continuing a conversation from months before, he realised. “My bro I never liked. That was deliberate, dropping him. My dad, though …”
    He had found his father boring, was all. He had always had the sense that the faintly aggressive man, who lived alone after Billy’s mother’s death, had found Billy the same. It had been several years since he had let contact wither.
    “Do you remember Saturday morning television?” he said. He had meant to tell Leon about the man in the jar. “I remember this one time.” Showing his father some cartoon that had enthralled him, Billy had seen the bewilderment on the man’s face. The inability to empathise with his boy’s passion, or pretend to. Years later he reflected that that was the moment—and he no older than ten—Billy started to suspect that the two of them did not have much of a shot of it.
    “I’ve still got that cartoon, you know,” he said. “I found it recently, streamed on some website. You want to see it?” A 1936 Harman-Ising production, he had watched it many times. The glass-jar inhabitants of an apothecary’s shelves on an adventure. It was extraordinary, and frightening.
    “You know what happens,” Billy said. “Sometimes when I’m preserving something or doing something in the wet labs or whatever, I clock that I’m singing one of the songs from it. “Spirits of amo-o-o-onia …’”
    “Billy.” Leon held out a hand. “What’s going on?”
    Billy stopped and tried again to say what had happened. He swallowed and worked against