Free GRAVITY RAINBOW by Thomas Pynchon

laboratory in his life.
    The smell is ether, it emanates from Mr. Edward W. A. Pointsman, F.R.C.S. As the dog vanishes around the broken remnant of a wall, just as the tip of his tail flicks away, the doctor steps into the white waiting throat of a toilet bowl he has not, so intent on his prey, seen. He bends over, awkwardly, tugging loose the bowl from its surrounding debris, muttering oaths against all the careless, meaning not himself, particularly, but the owners of this ruined flat (if they weren't killed in the blast) or whoever failed to salvage this bowl, which seems, actually, to be wedged on rather tight…
    Mr. Pointsman drags his leg over to a shattered staircase, swings it quietly, so as not to alarm the dog, against the lower half of a fumed-oak newel post. The bowl only clanks back, the wood shudders. Mocking him-all right. He sits on stairsteps ascending to open sky and attempts to pull the damned thing loose of his foot. It will not come. He hears the invisible dog, toenails softly clicking, gain the sanctuary of the cellar. He can't reach inside the toilet bowl even to untie his fucking boot…
    Settling the window of his Balaclava helmet snug and tickling just under his nose, resolved not to give way to panic, Mr. Pointsman stands up, has to wait for blood to drain, resurge, bounce up and down its million branches in the drizzly night, percolate to balance-then limping, clanking, he heads back toward the car to get a hand from young Mexico, who did remember, he hopes, to bring the electric lantern…
    Roger and Jessica found him a bit earlier, lurking at the end of a street of row houses. The V-bomb whose mutilation he was prowling took down four dwellings the other day, four exactly, neat as surgery. There is the soft smell of house-wood down before its time, of ashes matted down by the rain. Ropes are strung, a sentry lounges silent against the doorway of an intact house next to where the rubble begins. If he and the doctor have chatted at all, neither gives a sign now. Jessica sees two eyes of no particular color glaring out the window of a Balaclava helmet, and is reminded of a mediaeval knight wearing a casque. What creature is he possibly here tonight to fight for his king? The rubble waits him, sloping up to broken rear walls in a clogging, an open-work of laths pointlessly chevroning-flooring, furniture, glass, chunks of plaster, long tatters of wallpaper, split and shattered joists: some woman's long-gathered nest, taken back to separate straws, flung again to this wind and this darkness. Back in the wreckage a brass bedpost winks; and twined there someone's brassiere, a white, prewar confection of lace and satin, simply left tangled… For an instant, in a vertigo she can't control, all the pity laid up in her heart flies to it, as it would to a small animal stranded and forgotten. Roger has the boot of the car open. The two men are rummaging, coming up with large canvas sack, flask of ether, net, dog whistle. She knows she must not cry: that the vague eyes in the knitted window won't seek their Beast any more earnestly for her tears. But the poor lost flimsy thing… waiting in the night and rain for its owner, for its room to reassemble round it…
    The night, full of fine rain, smells like a wet dog. Pointsman seems to've been away for a bit. "I've lost my mind. I ought to be cuddling someplace with Beaver this very minute, watching him light up his Pipe, and here instead I'm with this gillie or something, this spiritualist, statistician, what are you anyway-"
    "Cuddling?" Roger has a tendency to scream. "Cuddling?"
    "Mexico." It's the doctor, sighing, toilet bowl on his foot and knitted helmet askew.
    "Hello, doesn't that make it difficult for you to walk? should think it would… up here, first get it in the door, this way, and, ah, good," then closing the door again around Pointsman's ankle, the bowl now occupying Roger's seat, Roger half-resting on Jessica's lap, "tug now, hard as ever you