Free M Is for Malice by Sue Grafton Page A

tornadoes and hurricanes provide elsewhere.
    At the junction of two roads, I caught sight of a discreet sign and turned southward into the town of Marcella. The streets were six lanes wide and sparsely traveled. An occasional palm or juniper had been planted near the curb. There were no buildings over two stories high and the structures I saw consisted of a general store with iron bars across the front windows, a hotel, three motels, a real estate office, and a large Victorian house surrounded by scaffolding. The only bar was located in a building that looked like it might have been a post office once, stripped now of any official function: A Budweiser sign was hanging in a window. What did the citizens of Marcella do for a living, and why settle here? There wasn't another town for miles and the businesses in this one seemed weighted toward drinking beer and going to bed soon afterward. If you wanted fast food or auto parts, if you needed a prescription filled, a movie, a fitness center, or a wedding gown, you'd have to drive into Santa Maria or farther north on 101 to Atascadero and Paso Robles. The land surrounding the town seemed barren. I hadn't seen anything that even halfway resembled a citrus orchard or a plowed field. Maybe the countryside was devoted to ranches or mines or stock-car races. Maybe people lived here to escape the burly-burly of San Luis Obispo.
    I found a gas station on a side street and stopped for directions. The youth who emerged was about seventeen. He was skinny, had pale eyes, hair shaved very close up to his ears, and a tangle of teeth, all reminiscent of someone in an early episode of The Twilight Zone. I said, "Hi. I'm looking for a friend of mine named Guy Malek. I think he lives on Route 1 somewhere, but he didn't give me directions." Well, okay. I was fudging, but I didn't outright lie. I would be Guy's friend when he heard the news about the five million bucks.
    The youth said nothing, but he pointed a trembling finger like the Ghost of Christmas Past.
    I glanced over my shoulder. "Back that way?"
    "That's the house."
    I turned to stare with astonishment. The property was enclosed by chain-link fencing. Beyond a rolling chicken wire gate, I could see a small house, a shed, a large barn with corrugated metal siding curling away from the seams, an old yellow school bus, a single gas pump, and a sign too faded to read at any distance. The gate was open. "Oh. Well, thanks. Do you know if he's home?"
    "No."
    "He's not?"
    "No, I don't know. I didn't see him today."
    "Ah. Well, I guess I'll go knock."
    "You could do that," he said.
    I pulled out of the station and drove across the road. I nosed the VW through the open gate and parked on a length of raw dirt that I took for a driveway. I got out. The surface of the yard was white sand with a rim of brown grass around the edge. The house was frame, painted once-upon-a-time white, one story with a wooden porch built across the front. A trellis that shielded the windows on the left sported only one bare vine, which twisted through the latticework like a boa constrictor. A matching trellis on the right had collapsed under its burden of dry, brown vegetation. Various wires extended from the roofline, connecting the occupants to telephone, cable, and electricity.
    I climbed the wooden stairs and knocked on the dilapidated screen. The front door was shut and there were no signs of life. There was a fine dusting of soot everywhere, as if the structure were downwind of a smelting plant. The porch floor began to tremble in a way that suggested that someone was traversing the wooden floor inside of the house. The door was opened and I found myself face-to-face with the man I took to be Guy Malek. Aside from a three-day growth of beard, he didn't look anywhere near his age. His hair looked darker and straighter than it had in his high school yearbook, but his features were still boyish: khaki green eyes fringed with dark lashes; a small, straight nose; and a